A Quote by Jack Adams

The Japanese invaded Tulagi, in the Solomon Islands, on May 4. — © Jack Adams
The Japanese invaded Tulagi, in the Solomon Islands, on May 4.
The Senkaku islands are inherently Japanese territory. I want to show my strong determination to prevent this from changing.
The Senkaku Islands are an integral part of Japanese territory based on international law as well as in the context of our history.
Were this world an endless pain, and by sailing eastward we could forever reach new distances, and discover sights more sweet and strange than any Cyclades or Islands of King Solomon, then there were promise in the voyage.
Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.
My love for traveling to islands amounts to a pathological condition known as nesomania, an obsession with islands. This craze seems reasonable to me, because islands are small self-contained worlds that can help us understand larger ones.
Some years ago our Japanese counterparts asked us to resume the discussions of the issue and so we did meeting them halfway. Over the passed couple of years the contacts were practically frozen on the initiative of the Japanese side, not ours. At the same time, presently our partners have expressed their eagerness to resume discussions on this issue [the Kuril Islands].
Our agreements on creating the conditions for preparing a peace treaty [with Japan] should be rooted in this trust. This may be achieved, for example, by large-scale economic activities that will also cover the Kuril Islands. It may be achieved by solving purely humanitarian issues, for instance, unhindered visa-free travel by former residents of the Southern Kuril Islands to where they used to live: visiting cemeteries, native places and so on.
I was in Shanghai when the Japanese invaded China. I was there in Shanghai when, the morning after Pearl Harbor, they seized Shanghai.
Our lives are like islands in the sea, or like trees in the forest. The maple and the pine may whisper to each other with their leaves ... But the trees also commingle their roots in the darkness underground, and the islands also hang together through the ocean's bottom.
Our task force put to sea in early January 1942, to attack the Japanese in the Marshall and Gilbert islands, but the mission was called off on the eve of the attack.
The rest of the world may devour Japanese hardware - from Honda Civics to Sony Walkmans - but Japanese software, such as books, movies and recordings, has had little impact outside Japan. The exception is video games.
And on nearby islands, the Japanese army was eating raw fish. We felt sorry for them. We didn't know that in America after the war, you wouldn't be able to get into a sushi joint without a reservation. And we thought they lost.
Australian troops had, at Milne Bay, inflicted on the Japanese their first undoubted defeat on land. Some of us may forget that, of all the allies, it was the Australians who first broke the invincibility of the Japanese army.
The Prime Minister [Shinz? Abe] also highlighted the need to address general humanitarian issues. We already mentioned one of these issues: visa-free travel by Japanese citizens to the South Kuril Islands.
The method (of learning Japanese) recommended by experts is to be born as a Japanese baby and raised by a Japanese family, in Japan. And even then it's not easy.
I mean, we were hearing music all the way through the islands. You know, we, when we visit the islands, of course since the islands have been churches have come down, there's a church every two blocks. And so there's music in all these different denominations. So we said, music's gotta play a big part of this movie [Maona] to really capture the culture.
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