A Quote by Jack Antonoff

When I was growing up, it was a lot of punk and hardcore music going on in legion halls and firehouses, and we'd play those shows, and it was very Jersey. It was very suburban, and there's just a great pride there.
My dad took me to all the best rock and punk shows when I was growing up and music has always been a part of my life. So I'm very interested in the music scene and I suppose that's why I've ended up going out with musicians. Dave Pirner is still one of my best friends.
There weren't a lot of career opportunities in crazy-fast hardcore punk, so you didn't have a lot of ambition, just the love and passion to play music with your friends.
What is hardcore? Hardcore is not just being hardcore, hardcore is going in the ring and giving 100% of yourself. Hardcore is great fans.
People used the term "hardcore" loosely. A lot of bands use it as a jumping stone to the next level. Hardcore, it's got a lot more to with then music. It's a very passionate movement.
A lot of the things I loved the most growing up were, on the surface, kind of challenging or impenetrable. I loved Andy Kaufman, and half his shows, people would walk out in a rage. I love punk rock, which is notoriously music that doesn't always sound very inviting or appealing but, I think, unquestionably has the most heart, the most integrity.
As my career has gone on, I guess I've become more well known. I'm playing to fuller halls in general, which is a nice feeling. When you're doing that, you're going to have a certain number of people who are not just the hardcore classical fanatics, and this makes me very happy.
I was part of punk's second generation, so, not the first wave of '70s punk, but the American hardcore scene. I had a really strong love for music prior to that, but punk created a new template.
I grew up going to punk shows, that kind of thing - I don't wanna make pop punk! - but I like the idea of people going totally crazy and it being really intimate, loud and super-aggressive, but combining that with pop music.
I think, growing up in a small town - I grew up in a lot of different places. I grew up in a city environment, a more suburban environment, a more rural environment. That's the beauty of New Jersey is you get a lot of different types of living.
For us, punk rock and even hardcore music was something we did because we didn't fit in in high school. We had nowhere to go, so we went to shows.
My grandfather was a massive influence in my music. Growing up, he would play a lot of old-school records to me. A lot of jazz and swing music, actually, growing up.
Europe is a very different place from my native country of Colombia and my children are growing up in a very urban setting which is nothing like when I was growing up and would be able to play barefoot in the street. But we have a very good life.
When I was a kid, I was very lucky that I grew up in suburban Virginia, which, at the time, felt like a grey area between rural and suburban, so there were a lot of forests and parks.
We [with Nimai Larson] listened to hardly any music except Hare Krishna music growing up and the occasional Garth Brooks that our babysitter would play for us. From a very early age, we looked at music as mantra based, very cyclical, and having no linear time.
The music industry went through such a strange stretch in 1977, especially in this country, with the whole punk rock thing coming about. Punk was rebellious-and justified in that response-but it had very little to do with music, and so it created a highly-charged but frighteningly floundering atmosphere that I found very, very disheartening. Musical quality for me has always been an important part of rock'n'roll-and winning recognition for that has long been an uphill battle all the way. Punk seemed like rock'n'roll utterly without the music.
I remember growing up in suburban New Jersey, and all the computer stores were like, 'Motherboard Mayhem' and all these cheesy names.
This site uses cookies to ensure you get the best experience. More info...
Got it!