A Quote by Jack Antonoff

I'm 30. I'm not that young, right? I'm not, like, 24 or 22. I'm no longer in the phase of my life where I talk about everything as in the future. Like, I'm in the future.
It was like sawdust, the unhappiness: it infiltrated everything, everything was a problem, everything made her cry - school, homework, boyfriends, the future, the lack of future, the uncertainty of future, fear of future, fear in general - but it was so hard to say exactly what the problem was in the first place.
I am like a security camera ever on the watch. The furtive quality of vision feels to me like an incredibly valuable weapon. Everything I see gets transformed into a private sketch or painting in my mind, stored away for future reference, future evidence, future ammunition.
It is an old cliche to say that the future is in the hands of the young. This is no longer true. The quality of life to be enjoyed or the existence to be survived by our children and future generations is in our hands now.
The future, like everything else, is no longer quite what it used to be.
There are two kinds of people: one who goes on thinking about the future, not bothering about the present at all. That future is not going to come, that future is just a fool's imagination. I don't think about the future. I am a totally different kind of person. I don't think about the future at all, it is irrelevant.
I often daydream about the future, thinking of the world in 100, 200 years, imagining what it looks like, feels like. I hope that my books are like ghosts that will inhabit this future.
The future looks like gasoline. . . . crude oil . . . is the future before it has been refined. It is like a dream of the future, really, and like any dream it ends with a rude awakening.
When we talk about a city, we need to talk about what the future is. Whats the ideal scenario in the future?
Everything that I'm doing, it's like a future jazz, future trap house movement.
I haven't thought about aspirations for the future. I like politics, I like serving the public, and we'll see if God offers us another opportunity in the future.
The beauty of working on a show like 'Westworld' is we're painting a not-too-distant future and talking about an aspirational sense of what power looks like in the future.
The great problem with the future is that we die there. This is why it is so hard to take the future personally, especially the longer future, because that world is suffused with our absence.
So one predicts the future as much as one is cause. The future isn't a pattern laid out to abuse and bully you. The future is a beautiful playground that nobody happens to be combining. You talk about virgin territory - the most virgin territory there is, is the future. You can do anything you want with it. Nobody is doing anything with it.
What's interesting about books that take place in the future, even twenty years in the future, is that many of them are black or white: It's either a utopia or it's misery. The real truth is that there's going to be both things in any future, just like there is now.
We spend our whole lives worrying about the future, planning for the future, trying to predict the future, as if figuring it out will cushion the blow. But the future is always changing. The future is the home of our deepest fears and wildest hopes. But one thing is certain when it finally reveals itself. The future is never the way we imagined it.
Every time I look at my mobile phone before bed it seems to say 22:22. I thought that has to mean something in the future. Ironically when it was happening I ended up scoring 22 goals for Coventry.
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