A Quote by Jack Antonoff
The music business is filled with some nice people but a lot of strange people, so when you come across someone who's really genuine at an environment as bizarre as an awards show, you typically gravitate to them.
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Normal people - i.e., people who aren't actors - are the most bizarre people you can ever come across. I'll talk to someone and come away thinking, 'They are clinically insane.'
People are really nice in the world. The majority of every single person I meet is really nice. Some people get excited, and some people freak out when they accidentally run into me, but across the board most people are really nice, so I just like to treat people how they treat me.
I don't take anything for granted; awards and all that go with it are very nice, and it's nice to get a positive response, but for me, it's about the music. I don't make music to win awards. I make music for the people.
Some people don't understand that but it's nice when it really just gets to the point then that it [music] doesn't get played so much that you're overdoing a lot of things; that it's fresh ideas. And they come out fresh and if you're already in the mode, I guess, to simplify some things so that it comes across better on record, it's the right time to be tasteful with somethin'.
Being able to connect with people with similar taste and style also allows people to get to know us better. Although we have been around for a little, some people listen to our music and some people don't listen to our music, so it's nice to be able to curate the sounds and show our influences. Although it's nice to go out and look fancy and dress up, you don't always go to parties where the music is a good so it's nice to be in a position to bring the vibes and create the experience.
People go to Africa and confirm what they already have in their heads and so they fail to see what is there in front of them. This is what people have come to expect. Its not viewed as a serious continent. Its a place of strange, bizarre and illogical things, where people dont do what common sense demands.
I feel like once the song is done, you put it out there and if people want to do bizarre remixes, if people want to make strange videos, great. You know, like chaos theory applied to the music business.
I'm really into everything. Something I've been asked throughout the years I've done the show is, "What kind of music are you into?" I find that to be a bizarre question, because it implies there are people out there that are only into one specific kind of music. But I think I, like most people, enjoy a wide variety of music.
The music business has changed so much. Collaborations are all over the Internet. The young people are keeping the old school alive. A lot of them run out of ideas so they grab these songs that we've had out for 50 years and bringing them back and making people rich again. That's a nice thing. A lot of artists don't have incomes after a certain time in their life because nobody's is buying the songs. This revival of their music has taken a lot of writers out of the poor house.
I get cast a lot of times in movies with nice people, for some reason, because I have a nice face or something. I mean, it's lucky I'm nice. Usually nice people in movies can be really boring.
You come across those real, genuine friendships so rarely in your life and they are so precious, you know the people who really have your back, who love you unconditionally and aren't your family. You don't stumble across those people very often.
I think when people see a genuine human, someone who is genuine in the way they try to come across - in a way they try to approach the world, I think it's allowed me to connect with fans.
The thought of bringing a cake into a dance music show is a bizarre one. The idea of rafting on top of people is just as bizarre as well. And I think whenever something bizarre comes into play, it immediately becomes an easy target. And for those reasons, I know that I have been the target of criticism.
People assume that your audience is full of people who love you. But, typically, it's one person in four who's chosen to come and has convinced some other people to go with them.
To come out in the music business, you only really get one shot. A lot of people get to play small gigs first, and build up that way, without anyone really seeing them.
I'm more likely to not invite someone back for not talking. If someone talks a lot, I can usually shut them up and control them. But with people who don't talk, if they don't really want to talk, they probably shouldn't be on this show, and that's fine. They're talented people with things to say, but sometimes people say what they have to say through other means than arguing.
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