A Quote by Jack Antonoff

The easiest way I can describe what makes a pop song a pop song is that it's a song you want to hear over and over. — © Jack Antonoff
The easiest way I can describe what makes a pop song a pop song is that it's a song you want to hear over and over.
You have to learn how to act a pop song. You have to find the balance of the pop from the pop song and the lyrical significance of the scene you are in.
I'm usually way more pleased with the stuff that just kinda happens by accident and is no way a pop song. But sometimes the easiest thing for me to write is pop songs.
I realized probably when I was, like, 20 years old that the hardest thing to do is to write a pop song - not, like, a candy-pop, throwaway pop song.
I labour over details and whether a song should be a straight pop song form or exploratory. This is the curse with doing things by yourself.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
When I sing a pop song, I'm a pop singer. When I sing a country song, I'm a country singer. I've been very lucky to cross over, because by doing that, you can't be pigeonholed.
Pop is like a puzzle: to write a perfect pop song, you never know, and there's so much that can happen in a second with a song.
Besides my fast and slooow songs, I further divide my work into three main song types: the ballad or story song, the variation on a theme (saying the same thing over and over and over again) song, and the weird song. It's important to have weird songs, but I find that a little weirdness goes a long way.
It was just the next logical step from making succinct pop songs. What do you do after that? You make pop songs that are longer and more epic, that push the envelope. Imagine your favourite song, or something that you play over and over in the car, except that you don't have to start it over as much.
So I'll set a cycle in motion and pop it into record and I'll lay down a drum pattern, a bass line, a keyboard and guitar part, and once the groove is going I launch into the song and sing my song over the top.
In my head I actually think my songs are pop songs. I think, Damn, that's a pop song! I can practice in front of the mirror with my hairbrush for as long as I want to. But when it finally comes out, it sounds avant-garde to people. Right up until then, though, I think, "Of course everybody feels this way. This song's the same as the Greek national anthem."
No one wants the picture-perfect song anymore. I'm trying to keep the beautiful qualities of pop - nostalgia, melodies, and the feeling that a beautiful pop song can give you - but make it real. It's not polished.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.
I have the most eclectic music taste out there. I can be listening to an indie pop song just as easily as I could be listening to a Carly Simon song from the '70s to a country song.
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