A Quote by Jack Bannister

Lloyd did what he achieved with that shot. — © Jack Bannister
Lloyd did what he achieved with that shot.
I wrote a tennis book about Chris Evert and her then-husband, John Lloyd. It was called 'Lloyd on Lloyd' and became a No 1 bestseller.
In the early work of Frank Lloyd Wright - and you can also see it with Mies - they make new ground by raising the ground. Frank Lloyd Wright did it so beautifully with the Robie House. The roof becomes almost a new ground.
Lloyd George? There is no Lloyd George. There is a marvellous brain; but if you were to shut him in a room and look through the keyhole there would be nobody there.
I don't worry about the last shot or the next shot. I concentrate. Every shot gets a clean slate. And when a shot is over, I wipe it out absolutely. Tell a joke or something. If you worry about how you looked, how well you did, you'll go insane.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
I feel close to Lloyd in 'Say Anything'. He was like a super-interesting version of me. Only I'm not as good as him. Whatever part of me is romantic and optimistic, I reached into that to play Lloyd.
I'm doing a play at Trafalgar Studios with The Jamie Lloyd Company - 'The Maids' by Jean Genet with Uzo Aduba and Laura Charmichael, directed by Jamie Lloyd. It's one of my favourite plays by one of my favourite playwrights.
The first time I did Cake Boss or Ice-T or Andrew Lloyd Webber was on 'Best Week Ever.'
I did do an American pilot, but it wasnt shot in America, it was shot in South Africa. It was called The Philanthropist, and it was for NBC.
We did 'The Conversation' on the Zeus network because we already are on TV and we felt like us being our own therapists could work. We tried it. We just gave it a shot since we already on blast and everybody creating their own stories about what they see. Just tried to give it a shot. Did it help? I don't know.
When I believe in Jesus, I am united to Christ. Therefore, what he did and achieved becomes mine by this union through faith alone. His righteous life is imputed to me. What Christ achieved is counted as mine.
Ethel said: "Lloyd, there's someone here you may remember-" Daisy could not restrain herself. She ran to Lloyd and threw herself into his arms. She hugged him. She looked into his green eyes, then kissed his brown cheeks and his broken nose and then his mouth. "I love you, Lloyd," she sad madly. "I love you, I love you, I love you." "I love you, too, Daisy," he said. Behind her, Daisy heard Ethel's wry voice. "You do remember, I see.
If we ask of the saints how they achieved spiritual effectiveness, they are only able to reply that, insofar as they did it themselves, they did it by love and prayer.
When I did 'Cyrano' for Roundabout, I was originally supposed to direct and play the title role, but I quickly realized that was madness, and we called in Jamie Lloyd, who directed me in Osborne's 'Inadmissible Evidence.'
I did Phone Booth, and that was shot very, very quickly, but that was Joel Schumacher, who's shot so many movies that, if anybody can figure out how to do it in a couple of days, it's him.
A turning point in the public's perception of the building art came with the publication of Frank Lloyd Wright's 'An Autobiography' of 1932, a picaresque narrative that captivated many who hadn't the slightest inkling of what architects actually did.
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