A Quote by Jack Butland

To be in the England squad, you have got to be playing well and your standards have got to be up there. — © Jack Butland
To be in the England squad, you have got to be playing well and your standards have got to be up there.
People talk about my age, but you could probably include me in that. I haven't got a lot of experience at international level. I am 30 and one of the oldest in the squad, but I am new to this as well and have not been to a big, big tournament. But this is an evolving England team.
I started playing when I was about 16, and I got picked for the England youth team when I was 17 because I was doing quite well. It's all spiralled from there.
I have got lots of confidence in my own ability and I know I have got to keep up my standards.
I am still young and being the [England] squad is really good for me although I've still got a lot to learn.
I brought the music out to L.A., and the producer Tommy LaPuma heard it and he said - "Man, I love it. Let's do it. Let's record it." I said, "Okay, where's the band?" He said, "We don't have a band. We want it to sound exactly like your demo." I said, "Well, I played all the instruments on the demo." You do that when you're making demos. You got your guitar, you got your sax. He said, "Well, I want it to sound just like that, so get all your instruments out here." So I ended up playing all the instruments.
Ultimately, if you think about all the youth that everybody has mentioned here in Africa, if everybody is raising living standards to the point where everybody has got a car and everybody has got air conditioning, and everybody has got a big house, well, the planet will boil over - unless we find new ways of producing energy.
I've played against a lot of the guys who have got into the England squad - Scott Parker, Jimmy Bullard, people like that - and I feel like I'm holding my own.
I think England are a very exciting side because they have got so many young, talented, creative players, playing up front.
Being movie director you've got the art department, you've got the actors, you've got the camera department, you've got make-up and hair, and props. You've got your finger in all these pies, and you're making sure that everything cooks at the right temperature.
We’ve got customers. We’ve got suppliers. We’ve got employees. We’ve got unions. We’ve got communities. We’ve got all of these things that go into making up whether a business succeeds or fails.
We've got a lot of players not playing domestic football week in, week out. What is it? Is it the crest on their chest that makes them raise their game? It must be. It's playing for Wales. It's powerful and everybody would walk on broken glass to get into this squad.
You have got to have two things in education reform. You have got to have some flexibility, so people can figure out what to do. But you also have to have accountable, basically what the Common Core standards were, some sort of set of national standards, so we can measure.
You've got to quit lowering your standards. Set your requirements up front so when a guy hooks you, he has to know this is business.
I'm very glad I've got a make-up artist. I have trouble going to school when I've got bad spots and things like that so I still don't understand how I got up in front of a camera and did it. I almost had a moment of madness every time I did that. It's difficult and it's scary and you hope that people won't be looking at your flaws, especially when you're in 3D as well.
When you get offered the captaincy, you've got to have a go. In India, where it went well, I was playing well ,and anything that needed doing, I'd do it myself. When I wasn't playing well, it was tough.
You've got to shake your fists at lightning now, you've got to roar like forest fire You've got to spread your light like blazes all across the sky They're going to aim the hoses on you, show 'em you won't expire Not till you burn up every passion, not even when you die Come on now, you've got to try, if you're feeling contempt, well then you tell it If you're tired of the silent night, Jesus, well then you yell it Condemned to wires and hammers, strike every chord that you feel That broken trees and elephant ivories conceal
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