A Quote by Jack Butland
You want to make an impact and show what you're about.
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I definitely want make an impact in television. I want to make a continued and greater impact in feature films, and I want to be somebody who continues to be at the forefront of creating a wide variety of content that I could be proud of and that engages people on all levels.
I'm about impact. One can make impact if they run a big business with a lot of zeroes. I've done that. One can also make an impact when you're a research analyst, where it's you and your associate. I've done that.
Because I take very seriously the idea that I can make an impact in the world, I hold back my voice so I can make more of an impact when I do use it. A cause like One Billion Rising is something I want to scream about, and I want you to take that scream seriously because I don't fall out of nightclubs. I don't have photographers capture me spending untold amounts on a handbag.
You want to come in and prove yourself early. Obviously, it is a responsibility being drafted that high to come in and play well and to make an impact. If not, youre going to get cut. So you have to come in, make the team, have an impact and do something special. And I feel that, obviously, internally. I feel an obligation to myself to do that but obviously the organization, the fans, this community. I mean, they dont want to see a first-round draft pick be a bust, so I feel I have to come in and hopefully make an impact early.
If our show [Carpool Karaoke] shines, then I shine. I don't ever want to come out and make anything about me. I want to make it about them, make them the best that they can be. And the whole thing is a collaboration, those carpools.
In my shows, I always try to incorporate music because it's the most natural way to set a tone. So if I want to do a show about depression, I use the opera. If I want to do a show about greed, I use spoken word. If I want to do a show about the injustice that's taking place in the world, I might play Sam Cooke.
I want to have a cultural impact. I want to be an inspiration, to show people what can be done.
If you want a show to talk about politics or the Muslim ban or whatever - someone should make that show. That's not what I'm interested in.
I want to make a movie that has enough impact that it's going to do what it needs to do. But I don't want to make a film that serial killers masturbate to.
I try to make things more interesting. I want to inject a little bit of excitement. I try to do the show for the sake of the show itself, not to make money. Fashion isn't always about making money.
I had a vague idea of the song's impact in the '60s, but that was tempered by the hate mail and threats I was receiving. It was only about ten years ago, when I finally put it back in my show because so many people were asking for it, that I understood 'Society's Child' real impact.
Life is all about finding yourself through experiences, and about learning more and more about who you are and what you’re capable of. If you’re getting older and not succeeding in anything or doing anything to make a positive impact on people, then you’re not living. You’re just waiting for death. Get out there and make an impact on people, whether it’s by helping them directly or by doing research to make their lives better or just by inspiring them. Do something good to be remembered for. This is more important than money.
The show isn't about screens, and we don't have any video content or lasers or things blowing up. I want people to come to our show to listen. I want the show to be the music.
I don't want to make a show about AA because it's a personal experience for anybody who is a part of that. My relationship with it has changed over the years, and I wanted the show to reflect that in a real way.
When I show up to act in a movie for somebody else, I just want to be nice and helpful and do what they want because I know how difficult it is to make a movie. I don't want to cause any problems. So you show up and do your job, and I think if a director understands that, you don't make a lot of demands.
My favorite thing to hear from people is, 'I left the theater and couldn't stop thinking about it.' You want your work to have an impact after they leave the theater. It's the equivalent of leaving a musical humming a show tune.
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