A Quote by Jack Dangermond

Cartography and geographic thinking are cool. — © Jack Dangermond
Cartography and geographic thinking are cool.
I grew up thinking my father was tacky. There was no color coordination. It was whatever was cool. 'These sweatpants are cool. I'll wear them with these shoes that are cool.' He had less inhibitions. I wasn't respectful of his swag then.
I love National Geographic. Just when you think you've seen the last lost native tribe, National Geographic will find a new one.
Though Geographic didn't publish that photo in the story that it was done for, "The Life of Charlie Russell," a cowboy artist in Montana. But later, maybe a year and a half ago, they named it one of the 50 greatest pictures ever made at National Geographic.
Childhood is a branch of cartography.
I don't like walking around with people thinking I'm doing uncool s--, because there's nothing I'm doing that's uncool. It's all innovative. You just might not understand it yet. But it's cool. Family is super cool. Going home to one girl every night is super cool. Just going home and getting on the floor and playing with your child is super cool. Not wearing a red leather jacket, and just looking like a dad and s--, is like super cool. Having someone that I can call Mom again. That s-- is super cool.
We're supposed to be bringing out-of-the-box thinking and innovation, and you cannot do that unless you've got diversity... It's everything from gender to ethnicity to geographic diversity.
Cool is spent. Cool is empty. Cool is ex post facto. When advertisers and pundits hoard a word, you know it's time to retire from it. To move on. I want to suggest, therefore, that we begin to avoid cool now. Cool is a trick to get you to buy garments made by sweatshop laborers in Third World countries. Cool is the Triumph of the Will. Cool enables you to step over bodies. Cool enables you to look the other way. Cool makes you functional, eager for routine distraction, passive, doped, stupid.
Almost any film that you do is an opportunity to open you up and make you more aware of an area that you might not be thinking about. That's what is kind of cool, or one of the cool things about this profession.
Writing has nothing to do with meaning. It has to do with landsurveying and cartography, including the mapping of countries yet to come.
Angela Davis offers a cartography of engagement in oppositional social movements and unwavering commitment to justice.
The two inaugurations were different. The first inauguration I was thinking to myself, "Let's make sure I don't screw this up." I think there is - people always talk about how cool I am. I don't care how cool you are.
You're always kind of having to 'make it' over and over again, which is cool and makes it fun. But I remember thinking, when I first did it, I was like, 'Cool. I made it. It happened.' And I did not. That's not how it works.
Observe people with cool eyes, listen to their words with cool ears. Confront feelings with cool emotions, reflect on principles with a cool mind.
I started teaching in '76 and I'd been a photographer at the Geographic for six years. But prior to being at the Geographic I was a teacher. Plus my parents were teachers and my brother and my grandparents. So it was the culture of our family to think about teaching, to talk about teaching, to talk about teachers.
Awkwardness gives me great comfort. I've never been cool, but I've felt cool. I've been in the cool place, but I wasn't really cool - I was trying to pass for hip or cool. It's the awkwardness that's nice.
In 'National Geographic,' you always saw pictures of tribal Africa. And here I am, sitting in Nairobi in our suburban house, watching TV and thinking, 'Why is it always going to be these tribal people 'that are the ambassadors of our image?
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