A Quote by Jack Davenport
My maternal grandmother, Penelope, was a very big figure in my life. She was a child of the Raj, born in India, a debutante who hobnobbed with royals, then married a Canadian, Bill Aitken, who became MP for Bury St Edmunds.
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I never felt I could give up my life of freedom to become a man's housekeeper. When I was young, if a girl married poverty, she became a drudge; if she married wealth, she became a doll. Had I married at twenty-one, I would have been either a drudge or a doll for fifty-five years. Think of it!
My great grandfather, Raj, was from Punjab, India. My grandmother graduated Rajasthan University.
I've been very fortunate to be at the startup of a lot of different things. I was the startup of the Pancrase organization in Japan. Became a big figure over there. Then I was in the UFC and was at the startup of that, and I was a big figure in that. Twice. Not only in the beginning but also when it was taken over.
It's right around this time that her Grandmother Hall dies. And Eleanor Roosevelt is responsible for making all the funeral arrangements. And there are a couple of things that she really understands, as she contemplates her grandmother's life and makes the funeral arrangements. One, she's really talented, an organizational woman. She knows how to do things. She begins to compare her life to her grandmother's life. And it's very clear to her that being a devoted wife and a devoted mother is not enough.
My maternal grandmother was the longest-lived of my grandparents. She migrated to Australia in her 80s and lived into her 90s. It was great that she got to be part of my adult life.
My second mother is my maternal grandmother. Her name is Thelma. She also gave me a very powerful medicine; she made sure that I knew my role as a young lady and as someone with moral structures and principles. She taught me that if I was going to be involved with anything, whether it be spirituality, music, or some skill, that I have to practice.
My maternal grandmother - she was a compulsive reader. She had only been through five grades of elementary school, but she was a member of the municipal library, and she brought home two or three books a week for me. They could be dime novels or Balzac.
I was my parent's first child, Joanna Catherine Going, named for my great-great grandmother Catherine, and my father's maternal aunt Johanna Burke, and bearing the initials of my father's father, John Christopher, who passed away just months before I was born.
How strange it is, our little procession of life! The child says, "When I am a big boy." But what is that? The big boy says, "When I grow up." And then, grown up, he says, "When I get married." But to be married, what is that after all? The thought changes to "When I'm able to retire." And then, when retirement comes, he looks back over the landscape traversed; a cold wind seems to sweep over it; somehow he has missed it all, and it is gone.
My maternal grandmother had what might be described in a school report as a 'lively imagination.' She told us that she was a direct descendant of Sir Christopher Wren.
Her parents, Austin Taylor and Kathleen Taylor, were big deals in Vancouver - they were civic leaders, and he raced horses in the Kentucky Derby - and my mother grew up a debutante. And when she and my dad were married, there were about a thousand guests at that reception.
I think that the language that we use is a ritual, that my [maternal] grandmother was called "Big Mama" is a ritual, that my daughter calls my father "Baba" and my mother "Mama" is a ritual. There are common African-American rituals that are a part of my experience. If I ever get married some day I would like to jump the broom.
Maternal love, like an orange tree, buds and blossoms and bears at once. When a woman puts her finger for the first time into the tiny hand of her baby and feels that helpless clutch which tightens her very heartstrings, she is born again with her newborn child.
I'm not the new Penelope Cruz. I'm Paz Vega. There's only one Penelope and she's marvellous.
I'm not the new Penelope Cruz. I'm Paz Vega. There's only one Penelope, and she's marvelous.
My maternal grandmother was in London during the Blitz. Indeed, the man she was dating before she met my grandfather was killed beside her in a cinema, in 1941, when a bomb came through the roof - a tragedy in which she herself was badly wounded.
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