A Quote by Jack Dee

Whenever you're in any acting role you are mortgaging your own character. — © Jack Dee
Whenever you're in any acting role you are mortgaging your own character.
Acting has given me a successful career and I will do it whenever I'm approached for any challenging and promising role.
Pride is the recognition of the fact that you are your own highest value and, like all of man's values, it has to be earned-that of any achievements open to you, the one that makes all others possible is the creation of your own character-that your character, your actions, your desires, your emotions are the products of the premises held by your mind.
Acting is a very personal process. It has to do with expressing your own personality, and discovering the character you're playing through your own experience - so we're all different.
In acting, the basic tool is observation. Whenever you see something, you store it in your head, and when you come across a character that reminds you of that instance, you incorporate it.
Be it a cameo, a character role or a lead role, I am happy that people are finally recognising my acting calibre and are casting me in their films.
No matter what character your play. I feel like whenever anyone is honest and whole and well-written, you're going to be able to connect to that person because we're all kinda made up of the same stuff and I think that's always one of the really powerful things about approaching each individual character and role and film.
I'm open to doing any kind of role and any kind of genre as long as it's interesting and as long as I feel it could be a great character to play. I never take into my own personal opinions or my own public image into account when I chose movie roles.
Acting, it's the disappearance of self, disappearance of your own needs and your own wants and the kind of embracing of the character that makes it work.
It's like you're a character in this book that everyone around you is writing, and suddenly you have to say, 'I'm sorry, but this role isn't right for me'. And you have to start writing your own life and doing your own thing.
I believe in method acting. Whenever I'm working on a character, I start behaving like him. I start doing these things which the character would normally do. Maybe that's the way I function as an actor, and I believe in it. And that's how I try and portray a character.
Acting. Whenever I am playing a character, I use my real life experiences, which puts me on the line of reliving some of those good and bad times. Acting requires risk, and that's what feeling vulnerable is.
When you have great acting partners, you hope that your reaction to them is propels you deeper into your own character.
Gary Ross one of those directors which lets you do what you need to do to become your character - he lets you try to do everything on your own when you're acting. Then at some points he would say, "Let's try this," or "Let's try that." Most of the time he just kind of let me try to just become my character on my own and it worked out really well.
Even when I'm writing in character I'm normally still writing about things I know or things that have happened to me or using that character to start an exploration of my own consciousness. Really though, any character that you can examine is just an examination of a part of your own consciousness.
I feel like I can do any kind of acting. It's hard to convince other people of that. I feel very confident that most any role, I would be able to do it. I don't have a lot of insecurities around acting.
Broadly speaking, there are two kinds of acting: character acting and lead acting. And in my life, to begin with, in the 1980s, it was all character acting. And then when, by fluke, through 'Four Weddings', I got into doing lead parts, it's a completely different thing.
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