A Quote by Jack Dempsey

For the first and only time, I was more worried about getting hurt by the crowd than by the guy I was fighting. I got a pretty good blast when introduced. The crowd was hollering and raising hell. I looked around for my bodyguard, a colorful New York character named Wild Bill Lyons, who packed two pearl-handled pistols and used to talk a lot about his days in the West. Wild Bill was under the ring, hiding.
Wild Bill was a strange character, add to this figure a costume blending the immaculate neatness of the dandy with the extravagant taste and style of a frontiersman, you have Wild Bill, the most famous scout on the Plains.
When you're walking out to the cage and fighting a guy like Vitor Belfort and you've got the crowd going crazy, most people would lose the fight right there and then. Since I've fought in a crowd that crazy and wild, I feel that nothing else is going to be like that.
The Full Sail crowd, it's a pretty unique and a pretty distinct environment. It's very close quarters and a bit more of what I'm used to from my days on the independents. But the truth is, I sometimes think that it's harder to win over a small crowd sometimes than it is to win over a big crowd.
I remember seeing Bill Hurt in New York once. I talked to him on the phone around 1988 and that's about it. I was shooting in New York and somebody said Glenn Close came by the set
I remember seeing Bill Hurt in New York once. I talked to him on the phone around 1988 and that's about it. I was shooting in New York and somebody said Glenn Close came by the set.
I realized what Led Zeppelin was about around the end of our first U.S. tour. We started off not even on the bill in Denver, and by the time we got to New York we were second to Iron Butterfly, and they didn't want to go on!
I got to sit in the inauguration of Bill Clinton, Bush, Obama, and when we got to the Trump inauguration and they said this was the largest crowd size, I'm like, 'Man, I've been to a lot of inaugurations; this wasn't the biggest crowd size.' But I didn't, you know, I didn't want to be the one to break it to him.
I love these members, they get up and say, 'Read the bill ... What good is reading the bill if it's a thousand pages and you don't have two days and two lawyers to find out what it means after you read the bill?'
When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
Wild Bill was a strange character. In person he was about six feet and one inch in height. He was a Plains-man in every sense of the word.
Well, Bill [Bill Hickok] was a pretty good shot. But he could not shoot as quick as half a dozen men we all knew in those days, nor as straight either. But Bill was cool, and the men who he went up against were rattled, I guess. Bill beat them to it. He made up his mind to kill the other man before the other man had finished thinking.
I didn't make 'Wild Bill' because I wanted to become a director; I just wanted to make 'Wild Bill.'
I’m not doing anything wrong, I’m not obstructing anyone’s access. When I have a crowd I make sure that the crowd makes room for people. I’m an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.
Every time I get in front of an audience, I do the best I can. I really don't look at it like, you know, 'This is gonna be this crowd, or that crowd.' If anything, I think about the demographics only because of what songs will entertain more than others.
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
One day about 10 years ago the door to my office opened and who walked in but Bill Gates.... Seemed like a nice guy and has done more with his money than most billionaires. But that's as far as I want to go being kind to Bill Gates.
This site uses cookies to ensure you get the best experience. More info...
Got it!