You don't have to start from scratch to do something interesting. You don't have to start from scratch to have a massive impact on the world. You have to have a good idea. You have to convince other people of those good ideas. And you have to push as quickly as possible.
You don't have to start from scratch to have a massive impact on the world.
He would like to start from scratch. Where is scratch?
I have one very basic rule when it comes to "good ideas". A good idea is not an idea that solves a problem cleanly. A good idea is an idea that solves several things at the same time. The mark of good coding is not that the program does what you want, it's that it also does something that you didn't start out wanting.
I think one of the good things about writing novels is that you always start from scratch.
Sometimes a sound gets overused. There is such a thing as a good saxophone, but it's like those fields in agriculture - they need to rest for a year or so. You need time to burn all the saxophones and start from scratch.
I always start from scratch with a character - they're never based on anyone else. You get ideas of what people look like, and I'm a great people watcher. You can draw inspiration from people.
Once I had started, I discovered the secret pleasure of writing a novel. It's such an immersive, deep commitment. With short stories, you're continually having to start again from scratch, but with a novel you only need one good idea every few years.
The idea of science fiction, mythology, and creating a world is my favourite thing. I do love the reality of dramas and playing that, but being able to start from scratch, to completely build the character and this world, I love that.
Creative ideas aren't like Jenga blocks, where they fall apart and you've got to start from scratch, though it can feel that way.
I love writing novels, but I'm very fearful about writing something from absolute scratch. I kind of don't have the time to write something from scratch. I think when my knees completely give out, and I can't make films anymore, I would try to write novels from scratch.
Each time I do a trilogy it's ten years out of my life. I'll finish Episode III and I'll be 60. And the next 20 years after that I want to spend doing something other than Star Wars. If at 80 I'm still lively and having a good time and think I can work for another 10 years between 80 and 90, I might consider it. But don't count on it. There's nothing written, and it's not like I'm completing something. I'd have to start from scratch. The idea of a third trilogy was more of a media thing than it was me.
Man can never expect to start from scratch; he must start from ready-made things, like even his own mother and father.
For most people, startups are a risky endeavor and something to be avoided. Many are hesitant to quit their secure jobs and try to start a company from scratch.
There are times when we in Little Dragon write from scratch together, but everyone has their own lives, so it just seems to make sense when everyone starts an idea on their own and we sort of meet somewhere along the way. I'm at the studio all the time because I live there, but the guys will have different schedules. It's easier to start an idea with your own thoughts, rather than having to compromise from the start.
After every fight, I knock myself down. I start from scratch again. I say, 'I'm not as good as I thought.' It makes you work harder. It makes you push harder. It's more than money. It's more than the title. It's my pride, and it can be scary thinking about it. I could lose. It's scary.
I still DJ the same way, but I'm not a scratch-scratch-scratch battle DJ. No, I'll rock the house. I'm old school.