A Quote by Jack Falahee

I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
One always starts work with the subject, no matter how tenuous it is, and one constructs an artificial structure by which one can trap the reality of the subject-matter that one has started from.
We stayed very close to each other [with Leek Kirk], and Lee was amazing. We'd go through the script together, rehearsing it before every shot with the other actors. He was just easy to work with. We were able to put it in my language, which was really important.
A big reason why we were able to and have been able to continue to succeed is that we had a very intense work ethic, right from the beginning. There was a do-or-die attitude toward the work. It wasn't seen as a little "club." It was like, "This is your life." We would spend hours and hours rehearsing and endlessly rewriting. We took it very seriously right off the bat. And we were also extremely critical of each other, which was another thing that was unique. A lot of comedy ensembles have a hard time being critical of each other, because they don't want to hurt each other's feelings.
You'll always be close to somebody that you worked with very intimately for so long, and you become really fond of each other.
I don't really think about a visual aspect to the work at all; I just think about making the piece. And everything that occurs visually comes out of the subject matter you are dealing with so that I find it difficult to treat the visual element as a separate entity.
Russia is very important, Iran is very important, Hezbollah is very important. All of them are important. Each one made important achievements against the terrorists in Syria, so it's difficult to say who is more important than the other.
You can be very independent, but admit to wanting somebody close to you and that's what me and my wife have. We don't need each other but we want to be with each other and I think it's important to educate the kids with that.
I think trust is the most important thing. If the actors and the director and the crew trust each other and you set up perimeters and boundaries, you give everyone space to do great work.
I'm not going to tell the American president how to run America, but I think it is important that when friends are speaking to each other that they are able to be very frank in the views that are exchanged, and I certainly will be doing that.
Friends never cheat on each other, or take advantage, or lie. Friends do not spy on one another, yet they have no secrets. Friends glory in each other's successes and are downcast by the failures. Friends minister to each other, nurse each other. Friends give to each other, worry about each other, stand always ready to help. Perfect friendship is rarely achieved, but at its height it is an ecstasy.
And it sort of hit me that the very subject matter of the film that I'm dealing with is the key to the most important thing in our lives, and that's our relationships. And so we had done all this research showing the job of each individual emotion, you know, fear keeps you safe. It deals with uncertainty.
If the vibe between two actors is not good, it shows in the work, so it's very important that everyone in the cast and crew is supportive to each other.
A soldier is the most-trusted profession in America. Americans have trust in you because you trust each other. No matter how difficult times are, those of us who love the Army must stick with it.
I think it's important to be friends with the person you have to kiss onstage in front of a hundred people. You might not be friends in real life - especially if you're in high school - but you need to at least be 'secret friends' for it to work. Try to be comfortable with each other.
I do have a close circle of friends and I am very fortunate to have them as friends. I feel very close to them I think friends are everything in life after your family. You come across lots of people all the time but you only make very few friends and you have to be true to them otherwise what's the point in life?
I think it's to do what's important to you, and having a lot of people - hopefully - listening to your work. It also involves being a credible artist, and being able to reach out to those who will buy into it for some other reason. But on a more personal level, success comes from having many close and strong relationships.
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