A Quote by Jack Garratt
I didn't do myself any favours. I would be resentful of my own ideas even before I'd said them out loud. But music was always the most consistent and peaceful thing for me. So I taught myself to be my harshest critic rather than just a mean voice in the back of my head.
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Music critics are, for the most part, bitter people who are intent at dragging people down for being successful at what they want to do, which is probably music. The oddity of being a critic is: You don't get a diploma, you just decide you're a critic. If someone listens to your opinion rather than their own, it's their mistake. Any critic's top 10, any year, it's something controversial or something that will make them look hipper-than-thou. The whole critic game, we've never played.
I'm my own worst critic and harshest critic and I just want to put honest music out there.
You find very few critics who approach their job with a combination of information and enthusiasm and humility that makes for a good critic. But there is nothing wrong with critics as long as people don't pay any attention to them. I mean, nobody wants to put them out of a job and a good critic is not necessarily a dead critic. It's just that people take what a critic says as a fact rather than an opinion, and you have to know whether the opinion of the critic is informed or uninformed, intelligent of stupid -- but most people don't take the trouble.
When I look back at football, I've always said to myself, 'I'd rather leave the game and have something in my tank rather than have left all of me out on the field.'
One of the biggest things I learned was not to tell myself 'no' before someone else. As someone who's creative, I know the inner critic can be really loud. Early on in my career, I would just listen to it and tell myself 'no.'
I said to myself, I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
I never wanted to do music to get girls, right, to get popular, or anything like that. I really love music and I want to make it better the best I can. I can tell when something's real, or when something's put together. I can just feel it. So I'm my own worst critic and harshest critic and I just want to put honest music out there.
At a young age, I really wanted to make music and make my own sort of thing. I'm sure if it wasn't music, it would have been writing, or it would have been maybe painting. I just always had the drive to try and make something with my hands and to just pull something out of myself and shape it and see it in front of me, if that makes any sense.
I volunteered at UCLA's occupational therapy ward, where there are lots of kids with autism and emotional problems. I just wanted to prove to myself that I could not break down and cry at everything, and that I could just help somebody else. The one thing I really remember was that when we would take them out of the hospital for a walk around campus, they would freak out the most when we were waiting for the elevator. I remember the guy at the elevator said to himself, "Transitions are the hardest." And I said to myself, "Transitions are always the hardest."
I actually quit music and I thought maybe I chose the wrong career. But, I isolated myself in a cabin in the woods for a while and that's where I fell back in love with music. Just being isolated out there, eliminating all these opinions that I endured during my time in LA and the music industry, all the rejection, it was really hard on me and my creativity. So by isolating myself in the wilderness, I was able to fall back in love with music. It was always ingrained in me, always in my blood, but I just lost it for a minute.
To know what you’re going to draw, you have to begin drawing... When I find myself facing a blank page, that’s always going through my head. What I capture in spite of myself interests me more than my own ideas.
It's obvious to say you can't please everybody and there are always going to be people who are going to say, I just don't like you. There's nothing I can do about that. I'm aware, probably much more aware than my harshest critic, of what my own problems are with my acting ability. I'm very, very critical of myself, and I don't ever want to not be.
Always feeling secondary and just being a voice rather than known as the song writer and artist... it's been a challenge to even get music videos of most of the features I'm on, so I'm pleased people are starting to recognise me as an artist in my own right.
She taught me to revel. She taught me to wonder. She taught me to laugh. My sense of humor had always measured up to everyone else's; but timid introverted me, I showed it sparingly: I was a smiler. In her presence I threw back my head and laughed out loud for the first time in my life
I always thought if you really want to be a good actor, you've got to be able to fart in public. That, to me, is the most important. If you are so inhibited that you can't fart, I don't mean around your friends, I mean just a fart, out loud somewhere. I don't mean the 'silent creeper', everybody does that. I mean fart out loud! Just that you can do it and not be afraid of it. Humility is very important.
There have been competitions where I got on the line and psyched myself out before I even let myself compete. I was thinking about the other competitors and not giving myself a fair chance. I had to shift to thinking, 'Just focus on yourself and doing what your coach has taught you to do.'
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