A Quote by Jack Gilbert

I dream of lost vocabularies that might express some of what we no longer can. — © Jack Gilbert
I dream of lost vocabularies that might express some of what we no longer can.
The public has lost the habit of movie-going because the cinema no longer possesses the charm, the hypnotic charisma, the authority it once commanded. The image it once held for us all — that of a dream we dreamt with our eyes open — has disappeared. Is it still possible that one thousand people might group together in the dark and experience the dream that a single individual has directed?
We form ourselves within the vocabularies that we did not choose, and sometimes we have to reject those vocabularies, or actively develop new ones.
When you see Paul Wall, I'm always going to be the same person. I might have on a new grill, I might have on some new jewelry. I might've put on some pounds, I might've lost some pounds. You never know.
One of the few downsides to being awakened is that we no longer require sleep; therefore we also no longer dream. It's a shame, because if I could dream, I know I'd dream about you.
I know that some subjective experiences of sex are very firm and fundamental, even unchangeable. They can be so firm and unchanging that we call them "innate". But given that we report on such a sense of self within a social world, a world in which we are trying to use language to express what we feel, it is unclear what language does that most effectively. I understand that "innate" is a word that conveys the sense of something hired-wired and constitutive. I suppose I would be inclined to wonder whether other vocabularies might do the job equally well.
The problem is no longer getting people to express themselves, but providing little gaps of solitude and silence in which they might eventually find something to say. Repressive forces don’t stop people from expressing themselves, but rather, force them to express themselves. What a relief to have nothing to say, the right to say nothing, because only then is there a chance of framing the rare, or ever rarer, the thing that might be worth saying.
Truth is a property of sentences, since sentences are dependent for their existence upon vocabularies, and since vocabularies are made by human beings, so are truths.
You cannot be worrying about what other people think. You have to be sure that what you do is what you love to do, because if you love it, maybe another hundred thousand people might love it, too. Some other people might not like it, but it doesn't matter, because you have to express what you want to express. You only live once.
If you follow every dream, you might get lost.
When you're dreaming, you don't know it's a dream. You might even interpret a dream in your dream - and then wake up and realize it was all a dream. Perhaps a great awakening will reveal this to be a dream as well.
Men seek for vocabularies that are reflections of reality. To this end, they must develop vocabularies that are selections of reality. And any selection of reality must, in certain circumstances, function as a deflection of reality.
The horses are all characters, all personalities. Some you get along with, some you don't, some might take a bit longer.
Still when I lost her, I lost sight of any landmark that might have led me someplace happier, to some more populated or congenial life.
In this country there is a universal third person, the man we all want to be. Advertising has discovered this man. It uses him to express the possibilities open to the consumer. To consume in America is not to buy; it is to dream. Advertising is the suggestion that the dream of entering the third person singular might possibly be fulfilled.
Dreams express what your soul is telling yu, so as crazy as your dream might seem - even to you - I don't care: You have t let that out.
My weakness might be that the guys with the longer legs can hold their top speed a little bit longer and might not slow down as fast at the end of the race.
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