A Quote by Jack Gleeson

Interviews are good if you want to be an actor because they raise your profile. — © Jack Gleeson
Interviews are good if you want to be an actor because they raise your profile.
You can't worry too much about profile; otherwise, you become a different kind of actor, and that's not the kind of actor I want to be.
They can argue whatever they want. The problem is, when you interview every passenger, during the interviews you are looking for - you profile - you do profiling, to find the suspicious ones and put them out from the rest of the passengers.
You do feel a certain obligation to shows that raise your profile like 'Downton' has. But there are definitely other exciting opportunities out there.
If U.S. mistakes in the Middle East helped Putin raise Russia's global profile, China's missteps and hubris in East and Southeast Asia, once called Indo-China, have opened up new spaces for India's profile to be raised.
Generally, you want to raise capital either when you have to or when it's really easy. If the company desperately needs money, and they can't figure out any other way, then they need to raise money. Or if someone's offering you easy money on good terms, you should take it because you can use it for good things.
Because you’re the one. Because I’ve never felt for anyone what I feel for you. I want a lifetime with you, Abigail. I want a home with you, family with you. I want to make children with you, raise them with you. If you truly don’t want any of that with me, I’ll give you the best I’ve got, and hope you change your mind. I just need you to tell me you don’t want it.
I think it's such a risky thing doing interviews. I try to limit the amount of interviews that I do because no one is that interesting especially when you're not really saying anything. And I don't particularly want to be an character in society or whatever.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
I wanted to play characters that were going to make me better and really challenge me to raise my skill level up or that were just interesting to me personally. I want to be the best actor I can be, and I want to be the most creative actor I can be. I want to take on roles that will move the chain to where I finally want to go.
You want to have enough of a profile to be able to do all the work you can, but at the same time you want to have your own space. But there are a lot of actors who achieve it, a lot of movie stars even, people like Emily Watson and Cate Blanchett. They seem to be able to carry on with their lives and still produce wonderful, high-profile work.
If you want to be an actor because you want to be recognized on the street and have people ask you for autographs, look for another career. If you want to be an actor because you love being on stage and want to capture a person's heart, go for it.
Raise your hand if you’ve spent nights crying yourself to sleep, raise your hand if you’ve felt as if you’d rather hide in bed all day than face the people that make you feel small or powerless! Raise your hand if you’ve felt as if you’d rather lie to people than tell them the truth about who you really are, because at least you wouldn’t be the victim of hateful behavior or prejudice! And raise your hand if lying feels almost as bad.
You can never be guaranteed good roles because of an award, but I think your profile and net worth as a performer has to do with awards, unfortunately.
'Digiphrenia' is really the experience of trying to exist in more than one incarnation of yourself at the same time. There's your Twitter profile, there's your Facebook profile, there's your email inbox. And all of these sort of multiple instances of you are operating simultaneously and in parallel.
I think the reason you use an actor is if they are right for the role. Most of the high-profile stars tend to be good actors. That's probably what led to their fame. So if they are right for the movie, you can certainly use them. But I don't want to, not at all. Stardom and Hollywood overpower the ideas and the film.
I want you to understand, when I do these interviews, I say a lot of goofy things because that's what people expect me to say. But I never said ever that I was trying to prove the flat Earth with this rocket. It's to raise awareness, to inspire people, to dream - which is what we used to do in this country.
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