A Quote by Jack Hemingway
When French troops entered Paris in August, 1944, Papa came in from Rambouillet and first liberated the Explorers' club. But his major objective was the Ritz. He came in and assured security, making sure nobody else could get to the wine cellar.
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So we came to the Ritz hotel and the Ritz Hotel was divine. Because when a girl can sit in a delightful bar and have delicious champagne cocktails and look at all the important French people in Paris, I think it is divine.
When City came calling, I researched the club, but when I first came through the door, it was weird: it was a big club but at the same time a small club.
The pomp, power, and military bombast of 'La Marseillaise' draws me into the history of France and my own. The surname I was born with was French: D'Orsay; perhaps an ancestor was amongst those troops that marched to this evocative anthem for the first time as they entered Paris 200 years ago!
When the Spirit came to Moses, the plagues came upon Egypt, and he had power to destroy men's lives; when the Spirit came upon Elijah, fire came down from heaven; when the Spirit came upon Gideon, no man could stand before him; and when it came upon Joshua, he moved around the city of Jericho and the whole city fell into his hands; but when the Spirit came upon the Son of Man, He gave His life; He healed the broken-hearted.
Papa was a man with silver eyes, not dead ones. Papa was an accordion! But his bellows were all empty. Nothing went in and nothing came out.
Paris is great. I stay at the Ritz Paris - I'm good friends with the Director, Frank Klein, and the owner. I lived there 3 years; I was the only foreigner working at Maxim's. They only took French, which was a mistake.
When, about fifteen years ago, I walked into Arshile's studio for the first time, the atmosphere was so beautiful that I got a little dizzy and when I came to, I was bright enough to take the hint immediately. If the bookkeepers think it necessary to make sure of where things and people came from, well then, I came from 36 Union Square. I am glad that it is about impossible to get away from his powerful influence.
What's important in a cellar is having wines that have a broad range of drinkability, which California Cabernet does. Wines with a broad range of drinkability give you a lot of flexibility; they are the sort of wines that make me feel secure. I think of my wine cellar as security - if the apocalypse comes, I can just go down to the cellar.
A typical wine writer was once described as someone with a typewriter who was looking for his name in print, a free lunch, and a way to write off his wine cellar. It's a dated view. Wine writers now use computers.
The monster has escaped Elba!" "The tyrant has landed at Cannes!" "Bonaparte meets the troops." "Napoleon approaches Paris." "His Imperial Majesty has entered the capital.
I met this wonderful guy who owned an old pub near the Eiffel Tower called Malone's (he's French but it's an Irish name). He had a cellar with a piano and told me I could use it whenever I wanted to. I played lots of gigs down there. When I came back I played a show at the Knitting Factory.
I came here so that no one else would die. I came here to protect as many people as I could. And I care more about Tobias's safety than anyone else's. So why am I here, if he's here? What's the point?
When I was in Paris I was at a big club in a major city, but nobody really cared about each other. It didn't have that family feeling, I didn't see any team spirit.
The first exhibition that I used bright colours in painting the room was at a gallery in Paris, and there were seven rooms in the gallery. It was very nice gallery, not very big rooms, around the courtyard, it was a very French space. So I painted each room in different colour. When people came to the exhibition, I saw they came with a smile. Everybody smiles - this is something I never saw in my work before.
The last time the French asked for 'more proof' it came marching into Paris under a German flag
The first time I performed at the Comedy Store in Los Angeles, I was in the back of the room doing vocal exercises. 'Me-me-me, my-my-my, mo-mo-mo.' And I'm looking around, and no one else is doing it. I'm like, 'They must have done it before they came to the club.' I came to realize that I was an idiot.
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