A Quote by Jack Horner
Life histories tell you just about everything you need to know about an animal.
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I enjoy not knowing everything about a musician I like. At a time when you can find out a popstar's favourite animal, I think it's more exciting not to know. I just don't want to tell everyone everything.
My daughter...why do you not tell me about everything that concerns you, even the smallest details? Tell Me about everything, and know that this will give Me great joy. I answered, But You know about everything, Lord." And Jesus replied to me, "Yes I do know; but you should not excuse yourself with the fact that I know, but with childlike simplicity talk to Me about everything, for my ears and heart are inclined towards you, and your words are dear to Me.
Do you really believe ... that everything historians tell us about men – or about women – is actually true? You ought to consider the fact that these histories have been written by men, who never tell the truth except by accident.
The music can tell people everything they need to know about being human beings. It's not my information, it's not mine. I didn't make it. I just discovered it.
The non-fiction bestseller lists frequently prove that we all want to know more about everything, even if we didn't know that we wanted to know - we're just waiting for the right person to come along and tell us about it.
It's just that for so many people that I know, Christianity's this matter of... it has everything to do with morals. Christianity is a religion about morals. And they will even talk about Jesus. And they will say kids need to know about Jesus so they won't smoke, drink, or dance, or go with girls that do, and all that kind of thing. And I kinda go, 'That's not why people need to know about Jesus. The only reason - The only possible excuse for talking about Jesus is because we need a Savior.'
I wouldn't tell you anything about anybody I cared about because it becomes entertainment for other people, and it sort of just cheapens everything in your life. I would never tell you if I was dating anybody.
Quite simply, I owe everything to Jean-Luc. He taught me everything I know about films, about books, about art, about life.
'Everything To Me' is about everything that's important. It's about my wife, my kids, it's about life, about being happy. It's about life in general, you know, about not knowing what's going to be around the corner, but you've got to enjoy it and enjoy the things you have. My wife, my kids, my health, and stuff like that.
Look, there’s nothing I’m ever going to tell you about me that’s the truth. The more you know about me, the shorter your life span is going to be. All you need to know is that I don’t miss. In fact, you don’t even need to know exactly how good I really am, because if you ever find out, you’re going to be dead. (Steele)
The thing about angel investing, which I get into in the book a lot is, you actually don't have to understand the idea, you don't have to know if the idea is going to win, you just need to know if a founder's going to win in their life. I can just tell by looking at somebody if they'll be successful in their life. I don't even have to have a conversation. I just look at their eyes while they're talking and it becomes very clear to me.
A man's bookcase will tell you everything you'll ever need to know about him
Listen to what people say about themselves; they will tell you everything you need to know.
I know this much about racing in the rain. I know it is about balance. It is about anticipation and patience... [it is also] about the mind! It is about owning one's body... It is about believing that you are not you; you are everything. And everything is you.
The basic thing is to be humble, and pretend you're a bartender in the tavern of life. Don't get too comfortable and don't really listen to anybody else. Don't stand around with a bunch of writers and talk about writing. You know when you see plumbers at a plumbers convention, usually they're not talking about plumbing: they're talking about whatever it is that two men happen to talk about. They're talking about sports, their wives and children. I just tell my students, don't talk about writing too much, just go out and do it. Find out whatever you need to get to the mainland.
I think there's a general confusion that my work is about types of photography. But really that's just a tool to introduce some questions I have about seeing. What happens when all of these conditions and structures and histories and cultures and tools you have around you begin to fail? On the one hand there is an engagement with histories and cultures, and on the other, there is this very lonesome space of actually coming to terms with seeing.
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