A Quote by Jack Irons

I remember wearing overcoats, hiding in the bushes outside of Abbey Road Studios, waiting for the traffic to clear. As it did, we would drop our overcoats and run out on to the cross walk and strike our poses.
If our family was poor, of what did our poverty consist? If our clothes were torn the torn places only let in the sun and wind. In the winter we had no overcoats, but that only meant we ran rather than loitered.
In Delhi or elsewhere, I love wearing overcoats, boots and fur coats. Fur is my favourite.
In Cyprus, our house was right on the beach. I could walk out of our front door, cross a road, and there was the sea.
I don't night-club, don't get into fights or scandals, don't own a yacht, don't play the horses, don't wear plaid overcoats, don't go to Hollywood parties, don't own a motorcycle, don't run back and forth to New York, don't go in for politics.
I first came to Abbey Road Studios in 1994. I scored 'Little Women' there. What I remember most about it was how hard it was to come to London from Los Angeles and conduct when you're jetlagged.
I remember when driving and traveling through Lapland, every road is surrounded by huge beautiful trees. Eight out of 10 times I would see a family of reindeer run beside the road or even through the highway holding up traffic. They're huge and unbelievable to see in person.
Humourists lead... an existence of jumpiness and apprehension. They sit on the edge of the chair of Literature. In the house of Life they have the feeling that they have never taken off their overcoats.
Remember that each of us has his own cross. The Golgotha of this cross is our heart: it is being lifted or implanted through a zealous determination to live according to the Spirit of God. Just as salvation of the world is by the Cross of God, so our salvation is by our crucifixion on our own cross.
I did what every other actor did: there were agents all the way up the Charing Cross Road and up St. Martin's Lane, and I would go out each day and do the agents - walk into these buildings, along their corridors, bang on these doors and say, 'Anything today?'
I mean, there's a little bit that gets out, but for the most part, the thing that makes us work, and makes our family successful, and our life successful, is when we walk home and we walk into our doors of our house, all that other stuff is left outside. It's not a factor.
When people are self-entitled for no reason, just with anything, that bothers me. It's like waiting for someone to cross the road, and they walk slower because they know you're waiting. I like all the credit due in the places that it's supposed to be due.
I want to send a very clear message to the men and women who are wearing - or who have worn - our country's uniform and to their spouses: when you have finished your service to our nation, you've got 2,000 great American companies ready and waiting to bring you on board
Well, I would - if they realized that we - again if - if we led them back to that stalemate only because our retaliatory power, our seconds, or strike at them after our first strike, would be so destructive they they couldn't afford it, that would hold them off.
When you have the paparazzi hiding in the bushes outside your home, the only thing you can control is how you respond publicly.
When we are in our studios, in our private space... we need to block out the outside world; we need to disbelieve anything that would doubt us, because - everyone will doubt us if we allow them that space.
Abbey Road was actually one of the first studios I ever got the chance to go to. A friend of mine won a competition and got the chance to spend a day recording there - that's when I was around 15 - and I was the only one who could engineer out of all of us.
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