A Quote by Jack Johnson
When you move like a jellyfish, rhythm is nothing. You go with the flow. You don't stop.
Related Quotes
When you move like a jellyfish rhyth don't mean nothing. You go with the flow, you don't stop. Move like a jellyfish, rhythm means nothing.You go with the flow you don't stop.
The jellyfish doesn't actively move anywhere - it's just moved with the tides. Is that what man is? Man's just the jellyfish: stuff happens to you, and you get twisted in different directions.
I'd like to be a jellyfish, 'cause jellyfish don't pay rent.
The centipede has rhythm and flow in its hundred legs precisely because it does not have to think about it. Consider this the next time you move the instruments of your art.
It's like a puzzle or a painting or music. When I ski, it's like a song. I can hear the rhythm in my head, and when I start to ski that rhythm and I start to really link my turns together, all of a sudden there's so much flow and power that I just can't help but feel amazing. That's where the joy comes from.
Flow in the living moment. — We are always in a process of becoming and nothing is fixed. Have no rigid system in you, and you’ll be flexible to change with the ever changing. Open yourself and flow, my friend. Flow in the total openness of the living moment. If nothing within you stays rigid, outward things will disclose themselves. Moving, be like water. Still, be like a mirror. Respond like an echo.
When you put a great big obstacle (your feeling of unworthiness), in front of a running stream, it's not like it's going to stop the flow of the divine force. The divine force will just go around your unworthiness and flow someplace else.
I've been through hell and back. I have, to be honest, and still I'm able to do what I do and nothing can stop me. No one can stop me, no matter what. I stop when I'm ready to stop. You know, and I'm just saying, you know, I will continue to move forward no matter what.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
Rhythm is everything in boxing. Every move you make starts with your heart, and that's in rhythm or you're in trouble.
The idea that rhythm is intrinsically human — not just primitive — that we all have hearts that beat at a steady rate and don't stop...reminds me of life itself. In that sense my music is like certain popular music where the rhythm drives from beginning to end.
It's strange, 'cause a play, you start at the beginning and you go all the way through to the end. So it's naturally very well rehearsed and you get a rhythm and a flow. In film, you can shoot the ending before the beginning. It's very odd. And it's like a craft you have to learn.
They view massive immigration as a massive infusion of potential voters for the Democratic Party, and therefore will do nothing, absolutely nothing to stop that flow of legal or illegal entrance into the country.
Even though I knew I was inside the space shuttle getting ready to go fly, something about it wasn't completely real up until we got the call at about one minute to go, to close and lock our visors and start our oxygen flow. People often ask me, "What did it feel like right at the moment of launch?" And they're surprised when I tell them actually what I felt was relief. It wasn't like being anxious or scared or anything. It was relief because this is something I had wanted to do my whole life and now that the boosters had lit, we were on our way to go do it and nothing was going to stop us.
No matter how wonderful the story, it has to move on something, and that is language. The words that I use, the pace, the rhythm and cadences all need to be there. If they're not there, the story is like a boat that just sits there and doesn't move on the ocean.
I thought beforehand, if [Marie] Henein is going to be a shark, I'm going to be a jellyfish, because you can't catch a jellyfish. Not that I didn't want to be caught, I just wanted to present solid.
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