A Quote by Jack Johnson
If it seems like you are playing around and not practicing, that's when you know you really love it.
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Playing those one-dimensional characters is actually really difficult because you're not dealing with somebody you would ever really know. I don't think anybody here could imagine actually knowing Cindy Campbell from 'Scary Movies.' So, in a way, your job is so much easier when you're playing a person that you really understand and that seems very relatable. I think I was coming to a place in my career where I was like, "I'd like to do something a little more rewarding."
Well, sometimes love seems easy. Like..it's easy to love rain...and hawks. And it's easy to love wild plums...and the moon. But with people, seems like love's a hard thing to know. It gets all mixed up. I mean, you can love one person in one way and another person in another way. But how do you know you love the right one in every way?
I am a romantic, but I do put up a barrier around myself, so it is hard for people to get in and to know the real me. I fall in love much too quickly and that results in me getting badly hurt. The problem with love is that you lose control and that is a very vulnerable state to be in. I would love to really have a beautiful relationship with somebody, but it never seems to work out. What I would like most of all is to be in a state of blissful love.
There's only really one way to be at the top, and that's practicing - practicing well and practicing hard. And enjoying what you do, because if you don't enjoy it then, it's always tough to wake up and go practice and suffer on the court.
It's a business. Everybody treats it like a business. You love playing football, you love being around the locker room, and that's really the most important thing for me.
If I didn't love tennis, I wouldn't be playing. That's also why I don't know how long I will be playing because if I start feeling like this is not what I want to do anymore, that there's not really any reason anymore.
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
I love kids. But that's such a big commitment. And it seems long-term. It seems like a commitment that you have to stick with. And I just don't know if I can - it's too risky. Like, what if I don't like the kid?
I auditioned for 'The Office,' and I don't know if it was a role I could do, but I liked the character. You do one take, and you're reading with a person who's just sitting in a chair and not really... you're not playing off someone, which is what I like to do. I like to play around and find the moment.
You know, when you really connect with the instrument and everything just comes out on an emotional level very naturally through your playing. That's, you know, a great night. And I think the reason I love touring so much is you're chasing that high around all the time, trying to have another good night.
I love playing and I like traveling. I really do like playing in Canada, its not to diminish anywhere else because touring internationally can be cool.
I curate my life in a way. It's always playing on my mind, kind of a love-hate relationship. I'm not one of those people who's, like, 'I wish Facebook wasn't around,' because, you know, it is what it is.
I mean, I really, really love playing solo. Definitely, it's like a labor of love, it's not a huge career. It's not that successful, but it's something I love so much that I'll do it regardless.
I love playing. In lots of ways, I think having been able to carry on playing purely out of love rather than having to do it for a living means I still love the drums. It helps that, if I don't want to play, I don't really have to! I'm not the best drummer in the world, but it's something I love and enjoy, and that sounds like a good trade.
I don't know if people really know, when you shoot a TV show like you're really family and it really works, it's because it seems real to everybody, even to us. We were all so very close.
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