A Quote by Jack Kerouac

ah, you always go for the ones who don't really want you — © Jack Kerouac
ah, you always go for the ones who don't really want you
Ah! believers, you are a tempted people. You are always poor and needy. And God intends it should be so, to give you constant errands to go to Jesus. Some may say, it is not good to be a believer; but ah! see to whom we can go.
But as de old folk always say, Ah'm born but Ah ain't dead. No tellin' whut Ah'm liable tuh do yet.
Ah suppose man, ah'm too much ay a perfectionist, ken? It's likesay, if things go a bit dodgy, ah jist cannae be bothered, y'know.
From the day Microsoft was started, the only constraint to our growth has been attracting ah, more great programmers, very smart, committed, ah, people. And so we're always on... on the look for ah, that kind of person.
When I brought home a 98 percent on a test, my father would say, 'Ah, ah, where are the other two points? Go and get them, then bring them back.' My father and Nigerian culture has always stood for excellence.
The pilot says, "Where do you want to go?" and that's always a rather existential question, because naturally I think a bit about where I want to go, but of course I can't really know where I want to go, in advance. I know it when I see it.
Ah, nut-brown partridges! Ah, brilliant pheasants! And ah, ye poachers!--'Tis no sport for peasants.
I never sit in a cinema and go, "Ah! I want to be in that film!"
I really want to go to Ireland. It's really green I hear and very pretty. So I'd really like to go there and spend a nice amount of time because I always travel but for like a second. I never get to enjoy the places.
Ah, current music. What would that be? Ah, really, a lot of it sounds defective to me. It makes me restless.
I want to be able to fill in all the voids. I want people to say, "Ah Seungri will do whatever he can." I want to become this type of person: "Once Seungri has said it, he will go ahead and change/do it."
My best friend and I go to bed at 11 o'clock. We have such old lady schedules. Everyone's always like, 'Let's go out!' And we're always like, 'No, we don't want to.' They call us the grandmas. L.A. can get really old really quickly if you waste your life away in a club all night.
I always feel super uncomfortable when it's like ah, there probably has to be a sex scene. I feel really bad and then always look around to see if anyone is watching me while I'm writing. I want to apologize to people who have to read those sex scenes, but I feel like it's part of the characters life, it's important.
Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.
Ah, happy hills! ah, pleasing shade! Ah, fields beloved in vain! Where once my careless childhood stray'd, A stranger yet to pain! I feel the gales that from ye blow A momentary bliss bestow.
I came across the script [42], and I read it, and I said, "I really want to do this." And when I had my agent call, they said, ah, you know, it's not what they're looking for. So, OK. And then I let it go for a while, and then it just kept gnawing at me, so I kept pushing.
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