A Quote by Jack Kerouac

I'll go to the south of Sicily in the winter, and paint memories of Arles – I'll buy a piano and Mozart me that – I'll write long sad tales about people in the legend of my life – This part is my part of the movie, let's hear yours
When we hear a Mozart piano concerto today, we're most likely to hear the piano part played on a modern concert grand. In the hands of a professional pianist, such a piano can bury the strings and the winds and hold its own against the brass. But Mozart wasn't composing for a nine-foot-long, thousand-pound piano; he was composing for a five-and-a-half-foot-long, hundred-and-fifty-pound piano built from balsa wood and dental floss.
'The Tales' are an important part of 'Hollow City,' when the kids discover secrets encoded in them that end up saving their lives. I wrote two tales as part of 'Hollow City,' and spent the next couple of years finishing the trilogy but itching to write more tales.
Don't the great tales never end?" "No, they never end as tales," said Frodo. "But the people in them come, and go when their part's ended. Our part will end later – or sooner.
I just write about what makes me sad, and then when I write, I hear myself. It's like therapy, where I write something sad and then I make it happier or hopeful.
Fairy tales and folk tales are part of the DNA of all stories and great fun to write.
Of course you have memories, and these memories are convincing. But it's really at the moment when I write them down - when I write about my relationship with that Japanese boy in Ni d'Eve, Ni d'Adam - that they reach a degree of reality which is incandescent, that I've really conquered a story, understood it and feel that it is really part of me.
It was good, and nothing good is truly lost. It stays part of a person, becomes part of their character. So part of you goes everywhere with me. And part of me is yours, forever
Anyone can go online and write anything they want about people they don't even know, and most of the time, that is fueled by hate. The sad part is that people actually believe what they read online.
Sometimes I write what I can't paint, and I paint what I can't write. I use a different part of the brain.
A big part of the reason that I make music is that I want to be a part of people's memories - you're there; you're present in someone's life.
People live in their part of the Union, and if they don't travel a lot, then there is a tendency to believe that the other parts of America couldn't possibly be as American as their part. You can see it in the way people in the South scrunch up their faces when they hear words like 'New York,' 'Chicago,' and 'challah.'
Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
When Mozart is playing in my room, I am in conjunction with something I can't explain... I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart.
Nostalgia doesn't make sense, because it's like bringing the memories back to be a special part of my day or to be part of my week. And I'm inside my memories the same way I'm inside my everyday life.
A lot of people feel they spend enough time watching me go through the good, the bad, and the ugly, so they feel like they know me and are a part of it. I'm kind of like a part of people's families. You can't buy that kind of connection with people.
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