A Quote by Jack Kerouac

...but I preferred reading the American landscape as we went along. Every bump, rise, and stretch in it mystified my longing. — © Jack Kerouac
...but I preferred reading the American landscape as we went along. Every bump, rise, and stretch in it mystified my longing.
Often while reading a book one feels that the author wouold heave preferred to paint rather than to wirte; one can sense the pleasure he derives from describing a landscape or a person, as if he were painting what he is saying, because deep in his heart he would have preferred to use brushes and colors.
Back in the day, rappers were 'bump bump bump ba bump ba bump.' They was rhyming like that, but I was like, 'bababa bump bump babum ba babump bababa bump.'
I grew up in the suburbs of Connecticut - during the school time of year - but I preferred it in New Hampshire. I preferred the culture, the landscape, the relative solitude. I've always loved it.
This is it for a winner, Dance to this and you're gonna get thinner, Move slide your rump, Just for a minute let's all do the bump, Bump, bump, bump yeah.
My grandmother's house was just a place of comfort. I mean, I remember going in there, and the kitchen always had pots cooking with the lids were always bump, bump, bump, bump, bubbling, you know?
When one begins to really feel into the spiritual dimension of their beings, they bump into love. They bump into compassion. They bump into beauty.
If possible, try to find a way to come downstairs that doesn't involve going bump, bump, bump, on the back of your head.
Reading is a pleasure of the mind, which means that it is a little like a sport: your eagerness and knowledge and quickness count for something. The fun of reading is not that something is told to you, but that you stretch your mind. Your own imagination works along with the authors, or even goes beyond his, yields the same or different conclusions, and your ideas develop as you understand his.
I am not pregnant, but I've had three kids, and there is a 'bump.' From now on, ladies, I will have a 'bump,' and it will be my 'baby bump,' and let's just all settle in and get used to it; it's not going anywhere.
I am not pregnant, but I've had three kids, and there is a 'bump.' From now on, ladies, I will have a 'bump' and it will be my 'baby bump,' and let's just all settle in and get used to it. It's not going anywhere.
If I take a bump or bruise along the way, that's nothing compared to the sacrifices that the women whose shoulders I stand upon made along the way.
I've tried to get better about weighing what I think the accessibility of an idea is against the cost of executing it. I've tried to be smarter about that, because if you're not smart about that, you're going to be unemployed. But I'm still mystified about what works for people. And I'm not talking about my movies, I'm talking in general. I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too.
The convergence of digital trends, along with the rise of China and globalization, has upended the rules for almost every business in every corner of the globe.
Longing is the fullest sense of desire; it's the most deeply felt kind of desire. I think the most interesting artwork comes out of some sense of longing. It could be called dissatisfaction; it could be called distance. There are many kinds of wanting to get closer to something else, whether that is an idea, a body, a place. Longing is also one of the conditions people approach reading, visual art, or music with - it's to satisfy that sense of longing. It's part of my job, on some level, to grapple with that notion.
But there have been human hearts, constituted just like ours, for six thousand years. The same stars rise and set upon this globe that rose upon the plains of Shinar or along the Egyptian Nile and the same sorrows rise and set in every age.
The Place of Religion in Chicago is a clearly written account of a little-studied aspect of American landscape. Based on unique field surveys and supported by photographs, tables, and beautifully crafted maps, the book will form a lasting contribution to our understanding of an overlooked element of the American urban scene: the religious landscape of a major metropolis.
This site uses cookies to ensure you get the best experience. More info...
Got it!