And that's the way of a real tale. Take any one that you're fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don't know. And you don't want them to.
Love is pointless. It’s the same sad sad story of with the same inevitable ending of miserable deterioration.
- the only difference between a happy ending and a sad ending is where you decide the story ends.
I don't know that I think women have to throw out the fairy tale ending. I just think they have to decide what their fairy tale ending is - and not go with the standard one that everyone's told them they're supposed to have.
Tell me a story, Pew. What kind of story, child? A story with a happy ending. There’s no such thing in all the world. As a happy ending? As an ending.
I've been with the project for like three years: creating it, pushing it. [There] becomes a certain doubt when you're pitching this story to people. ["The Land" is] a cautionary tale. It's not the brightest or best ending to a film when you're telling a cautionary tale about four kids, kids who are killing each other, kids who are products of the streets.
In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography.
The story it told was unremarkable: a tale of love found and lost- the oldest story in the world. The only story.
My love for you has no depth, its boundaries are ever-expanding. My love and my life with you will be a never-ending story. My love with you is never-ending
Even knowing the ending was sad, I wouldn't have deprived myself the beauty of the story.
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
I never try to give a message in my books. It's about living with characters long enough to hear their voices and let them tell me the story. Sometimes I would love to have a happy ending, and it doesn't happen because the character or the story leads me in another direction.
The sad ending is only because the author stops telling the story. But it still goes on. It's just untold.
Do not start a story unless you have an ending in mind. You can change the story's ending if you wish, but you should always have a destination.
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
This was not a fairy-tale castle and there was no such thing as a fairy-tale ending, but sometimes you could threaten to kick the handsome prince in the ham-and-eggs.