A Quote by Jack Kerouac

I am writing this book because we're all going to die - In the loneliness of my own life, my father dead, my brother dead, my mother faraway, my sister and my wife far away, nothing here but my own tragic hands that once were guarded by a world, a sweet attention, that now are left to guide and disappear their own way into the common dark of all our deaths, sleeping in me raw bed, alone and stupid: with just this one pride and consolation: my broke heart in the general despair and opened up inwards to the Lord, I made a supplication in this dream
My name is Sabastian. I had a father, but he is dead. I had a mother, but she is dead to me. I have a brother, and I will Bind him to me. I have a sister, and I will teach her to love me. My name is Sabastain, and I am going to burn down the world
We spent all day travelling, living away from the people you love, not sleep in our own bed ... We are far from our own houses. We live in hotels, clubs. And now that I am a father it is much more difficult.
People around me die. They drop like flies. I've gone through life leaving a trail of dead bodies behind me. My mother is dead, my guardian is dead, my aunt is dead—because I killed her, and when my real father finds me, he'll move heaven and earth to make me dead.
I grew up very nice. But after college, my father said you're on you own. So I was dead broke for years. So I know what it's - I lived on 600 dollars a month for six years. I know what it's like to be dead broke. I feel bad for people who are struggling now.
Now that I no longer feel lonely, and now that my own past feels resolved in a whole new and very deep way, I am excited to write about the real world, to stay in it. Fiction is an escape, a parallel life, and it was a powerful source of comfort for me when my own life was raw and uncomfortable. I don't feel the burning need to disappear into a fictional character these days.
On those occasions when he had killed in the dark, he later needed to see his victims' faces because, in some unlit corner of his heart, he half expected to find his own face looking up at him, ice-white and dead-eyed. "Deep down," the dream-victim had said, "You know that you're already dead yourself, burnt out inside. You realize that you have far more in common with your victims after you've killed them than before.
I went dead broke - twice! - trying to get Gas Monkey up and going. And when I say broke, I mean sleeping on my sister's couch and can't pay-the-rent type broke.
My mother was okay with me not playing it safe. She made an agreement with my father that I was going to be raised differently than my brother and sister were. My parents went through the whole sixties rebellion with my brother and sister. But I didn't feel like I had to rebel because I didn't have anyone telling me I couldn't do something. I never went into that parents-as-enemies stage.
My sister has seen my father's love and my brother, but not me. But Maniesh, I didn't even get love from my brother in my house, because everyone's busy with their own work. But now, the love I get from my husband has made me realise how a man is supposed to care.
The Red Poppy The great thing is not having a mind. Feelings: oh, I have those; they govern me. I have a lord in heaven called the sun, and open for him, showing him the fire of my own heart, fire like his presence. What could such glory be if not a heart? Oh my brothers and sisters, were you like me once, long ago, before you were human? Did you permit yourselves to open once, who would never open again? Because in truth I am speaking now the way you do. I speak because I am shattered.
I don't think the world is the way we like to think it is. I don't think it's one solid world, but many, thousands upon thousands of them--as many as there are people--because each person perceives the world in his or her own way; each lives in his or her own world. Sometimes they connect, for a moment, or more rarely, for a lifetime, but mostly we are alone, each living in our own world, suffering our small deaths.
When I write I am trying to express my way of being in the world. This is primarily a process of elimination: once you have removed all the dead language, the second-hand dogma, the truths that are not your own but other people's, the mottos, the slogans, the out-and-out lies of your nation, the myths of your historical moment - once you have removed all that warps experience into a shape you do not recognise and do not believe in - what you are left with is something approximating the truth of your own conception.
Because I have nothing else to live for. You told me of your brother’s betrayal. Imagine your own father calling out his hounds to kill your infant daughter and husband. Imagine what it was like to watch them die and then be taken and punished for something you didn’t do. To be stripped of your dignity and emotions because your father was embarrassed by a stupid, insignificant dream he’d had and he blamed everyone who walks in the dreams for it. You feel your pain, Aiden. I feel mine. (Leta)
I used to say that my own father was dead, because he might as well have been. He was in Argentina and didn't play a part in my life. He and my mother divorced when I was only two.
If you should ask me where I've been all this time I have to say "Things happen." I have to dwell on stones darkening the earth, on the river ruined in its own duration: I know nothing save things the birds have lost, the sea I left behind, or my sister crying. Why this abundance of places? Why does day lock with day? Why the dark night swilling round in our mouths? And why the dead?
Chapter One. The Bride." He held up the book then. "I'm reading it to you for relax." He practically shoved the book in my face. "By S. Morgenstern. Great Florinese writer. The Princess Bride. He too came to America. S. Morgenstern. Dead now in New York. The English is his own. He spoke eight tongues." Here my father put down the book and held up all his fingers. "Eight. Once in Florin City...
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