A Quote by Jack Kerouac

You can't teach the old maestro a new tune. — © Jack Kerouac
You can't teach the old maestro a new tune.
I listen to the summer symphony outside my window. Truthfully, it's not a symphony at all. There's no tune, no melody, only the same notes over and over. Chirps and tweets and trills and burples. It's as if the insect orchestra is forever tuning its instruments, forever waiting for the maestro to tap his baton and bring them to order. I, for one, hope the maestro never comes. I love the music mess of it.
Caravaggio was a tormented, defiant, bisexual, angry young man - a maestro who looked nothing like a maestro.
In America, they have this nauseating habit of calling the conductor 'maestro'. I always slightly gag when the cor anglais player goes, 'Maestro, can I discuss bar 19 with you?'
You can't teach an old dog new dog new tricks. Now,you can give an old dog new toys. And we've got one here!
If they embark on this course the difference between the old and the new education will be an important one. Where the old initiated, the new merely 'conditions'. The old dealt with its pupils as grown birds deal with young birds when they teach them to fly; the new deals with them more as the poultry-keeper deals with young birds- making them thus or thus for purposes of which the birds know nothing. In a word, the old was a kind of propagation-men transmitting manhood to men; the new is merely propaganda.
If the Old and New Testament teach us anything, they teach us that nothing is too difficult for God. What he originates, he orchestrates.
I cannot agree with those who say that they have 'new truth' to teach. The two words seem to me to contradict each other; that which is new is not true. It is the old that is true, for truth is as old as God himself.
As we have seen in our own history, the injection of new ideas from other worlds transformed life for all, and with the establishment of new frontier communities far from the reach of the old world, new social systems also formed, more in tune with the fact that it was the individual who had to make the decisions and do the work of pioneering.
Many times good actors I have known in New York accept series. I tune in at the beginning of the new season and think 'He's really working.' But six months later, if I tune in again, the actor is on a treadmill, grinding it out as best he can, and he can't help it.
Divorces are getting so common that a woman I know doesn't bother getting a new marriage license. They just punch her old one and give her a transfer. You can't teach an old dog new tricks - so she keeps changing dogs.
The weird thing is that 'Maestro' has somehow improved my DJing. When you've been in this music as long as I've been, you can sometimes become jaded. And when I got back from 'Maestro,' I realised the music is being kept in time for me - all I have to do is to wrap as much dynamic around it as I can. DJs don't realise how lucky we are.
But one of the things I have learned during the time I have spent in the United States is an old African American saying: Each one, teach one. I want to believe that I am here to teach one and, more, that there is one here who is meant to teach me. And if we each one teach one, we will make a difference.
You can't teach an old hater new truths.
You can't teach an old dogma new tricks.
You can teach an old dog new tricksif the old dog wants to learn.
You can teach an old dog new tricks, and this old dog wants to learn.
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