A Quote by Jack Kirby
Some of my friends became gangsters. You became a gangster depending upon how fast you wanted a suit. Gangsters weren't the stereotypes you see in the movies. I knew the real ones, and the real ones were out for big money.
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You had to grow up sometime. The fellows who grew early, they were in jeopardy. They became the cops and the crooks, and the crooks became the gangsters. The crooks became the Al Capones.
When you're a Scientologist it's like the movie Goodfellas, where the gangsters hang out with only other gangsters. We only hung out with each other, so we knew we were saving the world.
As a child, I was always drawn to heroic characters. I decided I wanted to act when I realised that Superman and all those gangsters and Indians were just real people in costume.
A lot of my friends are gangsters. Not like gangsters - well, yeah, all sorts of levels of criminality - but not the types that are preying on innocent people. I have no interest in the type of criminality that has no respect for collateral damage.
If you read the poets of the 19th century in Latin America, you would see that Havana or Mexico City or Buenos Aires are incredibly modern and global cities that they were not. And eventually they became real, and they became real because people read these books and tried to live in a better world.
I'm a gangster, and gangsters don't ask questions.
Stars make money on real movies. They make big money on real movies. To come into my world, I've got some M&Ms and some potato chips, and I'm asking you to move furniture.
I'd like to do a number of films. Westerns. Genre pieces. Maybe another film about Italian Americans where they're not gangsters, just to prove that not all Italians are gangsters.
There were many low points and times I doubted myself at work. I've heard no many more times than I've heard yes and there have been long periods in between jobs where money became very tight and I wondered how I was going to pay my bills. I've had to borrow money from friends and family to get by sometimes. That's the part of the 'overnight' success that people don't see. The struggle is real.
The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.
Especially in gangster films, with the gangster's moll - she would always be more or less of an object. And I'm not convinced of this theory. Because I think even gangsters' women have brains. They think and even, as we say, have balls.
When I was little, I watched a lot of Disney movies - so I always imagined a big fairytale wedding as a kid. But when marriage became real, I felt an intimate wedding with close family and friends would be better.
When we got quite big and were generating a lot of money through the arenas, we became quite a big thing, and a lot of managers appeared, and it became a big machine, like we were in Pink Floyd or something, and I don't think we were into that. We didn't really compromise.
My mom had a Canon AE1 camera and I read the manual and that's basically how I became a photographer. I was in the Baltimore punk scene. I knew it was a special time, so I went out and documented that whole era. I was the only person to really do it of my friends in real black and white, beautiful portraits.
My dad had a real big reputation as being the hard man, street fighter, the gangster. My stepdad was quite timid, and I wanted a bit of the gangster in my life.
Where do we say that a cell became a blade of grass, which became a starfish, which became a cat, which became a donkey, which became a human being? There's a real lack of evidence from change from actual species to a different type of species.
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