A Quote by Jack Kirby

I was being brought up on peasant stories; my mother came from Europe and she'd been a peasant and that was the area where the Frankensteins and the Draculas came from and it was entertainment for the people. Nobody had TV, and that was the way peasants would entertain themselves, by telling these stories.
Who keeps the tavern and serves up the drinks? The peasant. Who squanders and drinks up money belonging to the peasant commune, the school, the church? The peasant. Who would steal from his neighbor, commit arson, and falsely denounce another for a bottle of vodka? The peasant.
Where Chanel came from in France is anyone’s guess. She said one thing one day and another thing the next. She was a peasant—and a genius. Peasants and geniuses are the only people who count and she was both.
My real purpose in telling middle-school students stories was to practice telling stories. And I practiced on the greatest model of storytelling we've got, which is "The Iliad" and "The Odyssey." I told those stories many, many times. And the way I would justify it to the head teacher if he came in or to any parents who complained was, look, I'm telling these great stories because they're part of our cultural heritage. I did believe that.
The ruthless economic exploitation and political oppression of the peasants by the landlord class forced them into numerous uprisings against its rule.... It was the class struggles of the peasants, the peasant uprisings and peasant wars that constituted the real motive force of historical development in Chinese feudal society.
My mother told me stories all the time... And in all of those stories she told me who I was, who I was supposed to be, whom I came from, and who would follow me... That's what she said and what she showed me in the things she did and the way she lives.
Where and when have riots and anarchy been provoked by wise measures? If the government had acted wisely, and if their measures had met the needs of the poor peasants, would there have been unrest among the peasant masses?
My parents came from working-class, small-peasant, farm-labourer backgrounds and had made the grade during the fascist years; my father came out of the army as a captain.
So I found myself telling my own stories. It was strange: as I did it I realised how much we get shaped by our stories. It's like the stories of our lives make us the people we are. If someone had no stories, they wouldn't be human, wouldn't exist. And if my stories had been different I wouldn't be the person I am.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
I heard stories from my mother's mother who was an American Indian. She was spiritual, although she did not go to church, but she had the hum. She used to tell me stories of the rivers.
I've always liked telling stories. That probably came from my dad, who definitely had the gift of gab and who wove a kind of personal folklore about his youth - stories full of adventure and ghosts and wild antics.
I know where "Blubber" came from. It came from stories that my daughter told me when she came home from fifth grade. There was a kid in the class who was being bullied. We didn't even call it bullying then, that's what's so weird. Victimization in the classroom. The word bully was so out, was so not in use for all those years and now it's back big time.
Interestingly, what the bourgeois women's groups in India wanted to do in the nationalist period is to have the peasant women essentially follow them... They would be the leaders and the peasant women would be the masses.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them. Maybe they would have been less glamorous than films, but I would continue to tell stories.
She [my mother] said that if I listened to her, later I would know what she knew: where true words came from, always from up high, above everything else. And if I didn't listen to her, she said my ear would bend too easily to other people, all saying words that had no lasting meaning, because they came from the bottom of their hearts, where their own desires lived, a place where I could not belong.
I had a story-telling mother; she's written novels and short stories. So I feel like maybe I'm staying alive by telling tales.
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