A Quote by Jack Kirby

I admired anybody who could make a buck with his drawing. — © Jack Kirby
I admired anybody who could make a buck with his drawing.
I think the most important thing you can do is to keep drawing no matter what. And to not be afraid of drawing whatever interests you. If there is something that you want to draw, to make, then I think you should pursue it and not let anybody tell you that you can't do it.
I think the most important thing you can do is to keep drawing no matter what. And to not be afraid of drawing whatever interests you. If there is something that you want to draw, to make, then I think you should pursue it and not let anybody tell you that you cant do it.
Will you just stand on the foot of a high mountain and look at it with admiration or climb the top and be the admired itself? Remember that anybody can be an admirer; but the difficult thing is to be the admired one!
If Vin Scully calling a game is just as good in 2013 as he was in 1963, that's the way a game should sound. If Jack Buck were around today, I don't think anybody would ask him to change his style. My style has always been a little bit of a combination of old and new, if only because my frame of reference, personally, was different than that of Ernie Harwell or Jack Buck or Harry Caray. I was a younger guy. Just as Joe Buck's frame of reference is somewhat different from mine. But the nuts and bolts of how to call a ballgame well, I think remain the same.
I like Joe Buck. I know there's a big divide on people that like Joe Buck and people that don't like Joe Buck. But I love his cadence and tone and professionalism, and he's smart.
Others have falsely claimed to be the inspiration for Tom Booker in The Horse Whisperer. The one who truly inspired me was Buck Brannaman. His skill, understanding and his gentle, loving heart have parted the clouds for countless troubled creatures. Buck is the Zen master of the horse world.
I admired Truman, among many other things, because he integrated the Army. I admired JFK because the very first civil rights legislation was passed at his insistence. JFK showed what you could do, though he was a deeply flawed person, as we all now know.
The people I used to have around me from Nashville was showing love to the Cash Money clique on the strength of Buck trying to make it; making sure Buck gets to where he gots to go.
You know the evil that men do, hell is where the men go. We snatched him by his hands and feet and threw him out the window: "Up, up, and away cause I don't play, clown, Buck, buck, buck, take that with you on the way down." I'm hoping you got springs and wings on your shoes, But you lose, because I got the Ill Street Blues.
I don't feel when I'm writing that I'm drawing from any other writer, but of course I must be. The writers I've admired have been not so very different from myself: Evelyn Waugh, for example, that kind of crystalline prose. And I've always admired W. Somerset Maugham more than any other writer.
Exploitation films were famous for taking an issue an exploiting it because they could move much faster than a studio could. If there was any hot topic, they would run out and make a quick movie and make a buck on it, by changing it around and using it, in some way, to give some relevance.
The thing I admired most about Scott was his fearlessness. Of course his voice, lyrics, and stage presence have always had an effect on me as they have most STP fans. But it was his fearlessness that I admired the most.
It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one.
I'd done a drawing of the model using only peripheral vision, looking at a spot on the wall to the right of where she sat. It wasn't really a drawing of her I produced; it was a drawing of the cloud of lights and darks she dissolved into when I focused on the spot. You could look at my drawing of this cloud and read it as a nude female figure, though a little translation was required.
As a young man, Yeats spoke to me in a way I could understand. Shakespeare I couldn't understand, but Yeats I could. It was his subject matter and also I really admired the way he put his personal life on the line.
I have been maligned as taking advantage of others' hardship in order to make a buck. Nothing could be further from the truth.
This site uses cookies to ensure you get the best experience. More info...
Got it!