A Quote by Jack Kirby
I've never done anything bad. I can't do anything bad. It's got to be professional. It's got to look professional. It's got to read professional. In other words, it serves its purpose by entertaining a reader.
Quote Topics
Quote Author
Related Quotes
I don't have a family that grew up singing and playing all the time. I didn't really have anything to judge my abilities against until I got out into the professional world and met other professional musicians. All I had was my own way of arriving at a song. That was it.
All through my career I've written 1,000 words a day - even if I've got a hangover. You've got to discipline yourself if you're professional. There's no other way.
When you get hit that's when you've got to be calm. A professional fighter has to learn how to hit and not get hit, and at the same time be exciting. That's what professional boxing is about. You've got to be clever, you've got to be smart, and not get hit, and when you're able to do this, you're a fighter.
The difference between an amateur and a professional is in their habits. An amateur has amateur habits. A professional has professional habits. We can never free ourselves from habit. But we can replace bad habits with good ones.
Who is a professional? A professional is someone who has a combination of competence, confidence and belief. A water diviner is a professional. A traditional midwife is a professional. A traditional bone setter is a professional. These are professionals all over the world. You find them in any inaccessible village around the world.
I've done everything. I've sung, done records, plays... It just so happened my first professional job was as a dancer. I've done the whole shebang, darling. But dancing was my first professional engagement in 1974. I got paid for it, so that was it, my vocation. But my parents weren't keen. They wanted me to be an accountant in Italy. Or a lawyer. They were furious. I had to run away. I had to leave the country.
I feel like I'm a professional. I've been a professional for a number of years. I'm a businesswoman and a tax lawyer and a professional and so that's how I treat other people.
I would hate to see operations in the Congo held hostage to Sierra Leone but I really think that's the way it's got to be. At one point we've got to decide to get it right and we've got to be professional.
When I got into professional wrestling, I started, and I starved for two years, and I finally got some breaks. And then I got the biggest break, and I made the most of it and took wresting to its highest level ever.
When I was 13 years old, a professional theater company in my town needed a kid actor. I auditioned, and I got the part, so for just a few weeks I became a member of the company and I met some professional actors.
Honestly, I feel like the more entrenched into professional wrestling I got, it became apparent to me that it was really a part and parcel with MMA. There wasn't a whole lot of difference at all. If anything, I refer to it as the other side of the same coin.
Dagenham offered me a two-year opportunity really. It wasn't a pro deal, just a chance to impress. I was sent out on loan straight away. I got a professional contract on the back of that and it wasn't until I started scoring in League Two that I actually realized, 'I'm professional footballer.'
If you go back in time to the '60s, the '70s, probably the early '80s, British professional wrestling was the most respected region of professional wrestling on the planet, and somewhere along the way that got lost and wrestlers were forced to America or Japan or even Mexico to make a living.
Any photographer worth his/her salt - that is, any photographer of professional caliber, in control of the craft, regardless of imagistic bent - can make virtually anything look good. Which means, of course, that she or he can make virtually anything look bad - or look just about any way at all. After all, that is the real work of photography: making things look, deciding how a thing is to appear in the image.
Everything in my life is in perspective. OK, perspective ebbs and flows. I've had bad days, but they weren't in the last years. A bad day is 2 October 1996: 'We've got bad news for you, you've got advanced testicular cancer and you've got a coin's toss chance of survival.' That's a bad day.
We've got two semi-professional leagues; we've got many other leagues, more coaching opportunities for youngsters. You never had that when I was younger. You had to go and join in with the boys - that helped me as a player, but I think girls feel more confident playing with other girls of the same age.
Related Authors
Adrian Tomine Quotes
American
Cartoonist
Alison Bechdel Quotes
American
Cartoonist
Bill Watterson Quotes
American
Cartoonist
Bryan Lee O'Malley Quotes
Canadian
Cartoonist
Cathy Guisewite Quotes
American
Cartoonist
Charles M. Schulz Quotes
American
Cartoonist
Chester Brown Quotes
Canadian
Cartoonist
Gary Larson Quotes
American
Cartoonist
Lynda Barry Quotes
American
Cartoonist
Matt Groening Quotes
American
Cartoonist
Michael Leunig Quotes
Australian
Cartoonist
Randall Munroe Quotes
American
Cartoonist
Roz Chast Quotes
American
Cartoonist
Scott Adams Quotes
American
Cartoonist
Seth Quotes
Canadian
Cartoonist
Seth MacFarlane Quotes
American
Cartoonist