A Quote by Jack Klugman

Time is very important to art and if you don't have the time to select, art goes out the window. — © Jack Klugman
Time is very important to art and if you don't have the time to select, art goes out the window.
Art is difficult. It's not entertainment. There are only a few people who can say something about art - it's very restricted. When I see a new artist I give myself a lot of time to reflect and decide whether it's art or not. Buying art is not understanding art.
What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and making whose skill and doggedness make you think and feel; art that isn’t merely sensational, that doesn’t get its message across in ten seconds, that isn’t falsely iconic, that hooks onto something deep-running in our natures. In a word, art that is the very opposite of mass media.
It is not logical for art to be logical. Art goes against the grain of the times as readily as it goes with it and at the very same moment. Instead of seeking the nearest exit, art responds to a new situation by uncovering a labyrinth of problems.
Art is personal, originating from dreams, ideas, neuroses; art is shared, harkening back to the humans around the fire; art imbues pleasure and power by enabling people to know reality...Art is a necessity because it is a way of knowing...Is the need for truth physiological? Art exists out of time...images may be different bu there is always a repetition- a thread.
I remember saying to myself those things are very, very important to hear, but there must be another way to say them so that they will truly be heard. I mean, that's what art is. Art is about being provocative. Art is also about beauty. And if you leave the latter out, the former doesn't matter.
I think it's very important for Arts Ministers to purchase art, to attend art, to validate art.
Warhol and other Pop artists had brought the art religion of art for art's sake to an end. If art was only business, then rock expressed that transcendental, religious yearning for communal, nonmarket esthetic feeling that official art denied. For a time during the seventies, rock culture became the religion of the avant-garde art world.
At that time, the academic orientation was rather technical contrary to that of the university, where art theory is very important. The teachers were renowned artists and among the best of that time.
A white lace curtain on the window was for me as important as a great work of art. This gossamer quality, the reflection, the form, the movement. I learned more about art from that than I did in school.
I think that I came of age in the 1970s with my own work, and it was a time of conceptual and process art, and it was very important not to tell a story. If you told a story, when I was a young artist and first came to N.Y., it was, like, an embarrassing way to make art.
Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?
What goes on in abstract art is the proclaiming of aesthetic principles... It is in our own time that we have become aware of pure aesthetic considerations. Art never can be imitation.
Andy was a nonverbal person; you couldn't get directions out of him. All he knew was what was modern in art was what wasn't art: The telephone was art, the pizza was art, but what was hanging on walls in museums wasn't art.
You have choice. You can select joy over despair. You can select happiness over tears. You can select action over apathy. You can select growth over stagnation. You can select you. And you can select life. And it's time that people tell you you're not at the mercy of forces greater than yourself. You are, indeed, the greatest force for you.
I'm from the beatnik generation, where everybody wanted to be a poet or writer or something. And at that time, I was a jazz critic, and I was always thinking, theorizing about what makes great art or what's important in art.
Art is not an elitist gift for a few select people. Art is for everyone.
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