A Quote by Jack Larson

I've always been interested in a lot of the medieval art portraying people being tormented. — © Jack Larson
I've always been interested in a lot of the medieval art portraying people being tormented.
I don't get fazed by things easily. I don't really care about much; I'm just not interested in a lot. I'm just interested in the well being of my close ones, my music, the message I'm portraying, how my efforts are contributing to society.
I have always been interested in art but had no formal training or experience. It's always been just what I liked, my eye for art.
I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.
When success comes, it changes everything, so I'm interested in portraying what that's like, and I think I have a lot of connection with that.
I've always been interested in art and making things, but I chose not to go to art school because I thought I needed to do something else. Art was a tough way to make a living.
Art experts are unfailingly opposed to Art for the simple reason that they are interested in Art - but Art is not interested in Art. Art is interested in life.
I've always been drawn to tormented people full of contradictions.
Historically, art has always had a market. When one medieval fiefdom defeated another they would drag back its jewels, gold, tapestries and art objects as the spoils of war. Art equaled power, riches and culture.
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
I've always been accused by my detractors of some sort of moral failure, cowardice, or even lack of humanity by not portraying the human form. I respond that I do better by portraying traces of character and intentions of human volition that no mug or body shot can ever exude.
People aren’t interested in the truth, Dafar. They’re interested in what keeps them safe. They’re interested in being looked after. They’re interested in a tale being spun... Mighty men have moments of great despair that common people do not want to know about.
I'm very interested in portraying homosexual man and woman in my films because I'm interested in their lives and their problems.
Jonathan Meese is not interested in the history of reality. Everything radical and precisely graphic is sustainable. Human ideologies like religions and politics are based on the past and therefore irrelevant to art. Art always transforms radicalism of the past into the future. Art is always the total time machine. Jonathan Meese is interested in the history of the future. Art is never nostalgic.
I've always been a bit of a mix between art and technology. I used to paint a lot, but I'm not very good with my hands. It has always been a fusion between my computer gaming interests and being exposed to the rich data of society that we live in.
I'm very particular who I work with. I'm not interested in portraying women with a cliched, generic look. I'm interested in a model who I can take a portrait of.
Walt Disney got away with portraying me in the light that they were portraying me in. I have always been a fighter, so... But I have no regrets, man. It's just like God brought me through the drugs, I know he'll bring me through this.
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