A Quote by Jack Levine

Most artists like to think of themselves as rugged individualists, as independent characters. — © Jack Levine
Most artists like to think of themselves as rugged individualists, as independent characters.
There's a certain je ne sais quoi that Americans have in spades - a we-can-do-anything spirit that makes so many things possible for all of us. We're rugged individualists, aspirational in nature, and we like to think for ourselves.
When it comes to being slaves to fashion, American managers make adolescent girls look like rugged individualists.
A pack of lemmings looks like a group of rugged individualists compared with Wall Street when it gets a concept in its teeth.
Families composed of rugged individualists have to do things obliquely.
We were rugged individualists in the Navy, but we all had health care.
President Obama is casting his lot in the middle of a debate as old as America itself: Are we rugged individualists pulling ourselves up by the bootstraps? Or are we a nation of community, all connected and counting on one another?
Snowflakes fascinate me... Millions of them falling gently to the ground... And they say that no two of them are alike! Each one completely different from all the others... The last of the rugged individualists!
Sometimes the characters I find the most compelling are in independent movies. With independent scripts people can take more challenges.
I'm mostly interested in characters and how they manifest themselves in their relationships. I'm delighted that people relate to the characters in 'Bojack,' and hopefully they will too to the characters in 'Undone.' If they understand themselves or feel seen in a new way, I think that's a wonderful thing.
In general, I think writing characters, no one is 100 percent good or bad, and certainly, the bad characters never think they're bad themselves. Even the worst characters don't feel like they're bad guys on the inside.
I'm grateful that so many viewers have related to characters I've played. I think many in the audience see themselves in my characters or feel like the characters are similar to their friends or sisters.
There is a special mystique to Texas. Texans represent many things to the uninitiated: We are bigger than life in our boots and Stetsons, rugged individualists whose two-steppin' has achieved world-wide acclaim, and we were the first to define hospitality.
Unlike most wars, which make rotten fiction in themselves - all plot and no characters, or made-up characters - Vietnam seems to be the perfect mix: the characters make the war, and the war unmakes the characters. The gods, fates, furies had a relatively small hand in it. The mess was man-made, a synthetic, by think tank out of briefing session.
I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
The best artists are people who don't consider themselves artists, and the people who do are usually the most pretentious and annoying. They've got their priorities wrong. They're just doing it to be artists rather than because they want to do it.
One of the many American ideals that make no sense at all is that we're all a million rugged individualists marching in lockstep. We dress accordingly, at least the men. If it's always been thus, I yearn for the halcyon days of the man in the gray flannel suit because at least that guy had some flair.
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