A Quote by Jack Lew

There are lots of ways to work together. — © Jack Lew
There are lots of ways to work together.
Lots of different ways to live and lots of different ways to die. But in the end that doesn't make a bit of difference. All that remains is a desert.
I know lots and lots and lots of vegetarians who think it's perfectly all right to kill animals for food to eat, but don't do it because they think all the ways in which it's done are wrong.
Restaurants remind me of bands: there's lots of camaraderie, people work very closely together, very hard, and it's a bad job to pick if you want to make lots of money. Whether music or food, the reward always has to be because you love it.
The history of American patriotism is figuring out ways that we can work together to move forward and knit together the common government.
I think there are lots of ways to make good work. You can throw big bucks at a project and make what some would call crap, or you can work very modestly with eloquently moving results.
I think that it's our job to sort of band together and say, 'OK, what are the ways the male gaze has seeped into your brain and is affecting the way you treat yourself? Let's work together to eliminate that.'
In order to be an artist and an actor, like tackling the classics in the theater as well as film, there's lots of discipline, lots of work, physical work put in.
Good innovators are careful observers, network extensively, run experiments, ask lots of questions, and find ways to bring diverse ideas together. Overarching all of this is an intrinsic interest in working through puzzles.
A simple equation for the production of successful art work is lots of reference material plus lots of art supplies equals lots of painting happiness.
I want to help communities put welfare recipients to work right now, without delay, repairing schools, making their neighborhoods clean and safe, making them shine again. There's lots of work to be done out there. Our cities can find ways to put people to work and bring dignity and strength back to these families.
Partly because of the way I write - I don't work with an outline or in a straight line. I work where I can see things happening, and so I get lots and lots of little bits to start with, and I'm doing the research at the same time.
Meals make the society, hold the fabric together in lots of ways that were charming and interesting and intoxicating to me. The perfect meal, or the best meals, occur in a context that frequently has very little to do with the food itself.
I don't want my work to be issue-based. I want people to be able to read it in lots of different ways.
We can create the sensation of community through the accrual of actions, and that's often the clichéd way that storytelling is talked about, as someone taking a solo, and that's great for lots of reasons. But I don't really like to feel like I'm forced to listen to it in a certain way, or that there is one master reading of performance. I think what we want from performance is multiplicity, which is lots of ways in and through it, because it's for lots of people, and it was created by lots of people, often.
Every time you have a crisis in a country you have an extreme wing coming up and proposing solutions. The way to fight them is by doing lots of work teaching people that every time these fascist systems gained power they ended up with big tragedies - lots of blood, lots of police, and lots of misery.
There's lots of different ways of writing stuff and lots of different mindsets to have, but I think when it's your own creation, it's more pleasurable because you have total control.
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