A Quote by Jack Lowden
I do constantly get to change the way I look, which is sort of an old-school idea of acting.
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Modern acting is method acting, most of it. And there are sort of different schools, so I guess I'm not really from one school or another. I had a number of different teachers but they were all kind of drawing from the same pool, which is - What do you want? What are you doing to get what you want? And, what is in the way? These are basic acting questions. Knowing the answers to those questions. So you're talking about objectives and actions and obstacles. That's a sort of shorthand that gives you a language.
I fervently believe that, as someone has said before, "When you change the way you look at things, the things you look at change." I want to help change the way young people look at school, and hence, the way they look at their futures.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
To create a wonderful day sometimes takes just a slight change in the way you look at it. Be willing to let go of an old, negative way that you look at something, and look at it in a new, positive way.
Always get rid of theory private object in this way: assume that it constantly changes, but that you do not notice the change because your memory constantly deceives you.
I've been acting since I was 5 years old, from primary school to secondary school, did training at drama school, which was the big thing for me because they trained me, put me out into the industry.
I want to help change the way young people look at school, and hence, the way they look at their futures.
I think, because of my background, which is slightly more exotic than the average British actor, I think, I sort of occupied this little niche quite early on of playing the foreign guy. It started way back at drama school, I played an Eastern European heavy, I played the Russian mobster. And I have done all those different ethnic roles, and I think it's partly because of my look, I think I've got an adaptable sort of nondescript ethnicity, which you can't quite pin down, but it's enough to kind of get a flavor of something.
I always wanted to be a film-maker when I was younger, not an actor. I was an eight-year-old who dreamed of being a writer on 'The Simpsons,' which was a weird dream to have. But I started taking acting classes as a way to learn how to direct actors and I sort of fell in love with it.
When I look around, the biggest way in which we are failing to care for those in need is through ignoring climate change and acting like it doesn't exist. As a Christian, I believe that is something the church needs to know.
Acting was something I always really wanted to do and, when I left school and was old enough to get an agent, 'Coronation Street' was, like, the thing to get into.
You get the initial script, and then things sort of change here and there, but the whole thing is this sort of mushy collaboration, which I love.
Concurrently, while I was in school, while I was winning awards for acting, I was winning awards for singing, in high school. One of the reasons why I decided to continue on with the acting was the opera world is fraught with a very long process, and I did love the acting, as well. The acting took off sooner, and then you get involved with that.
Suicide is what everyone young thinks they'll do before they get old. But they hardly ever get round to it. They just don't want to commit themselves in that way. When you're young and you look ahead, time ends in mist at twenty-five. 'Old won't happen to me', you say. But old does. Oh, old does. Old always gets you in the end.
I think that everyone in one way or another has some sort of body issue. There's something about themselves physically that they're not happy with, that they're ashamed of, that they keep constantly trying to change.
Murdoc is sort of the, um, it’s his band. He sort of put Gorillaz together. It’s his idea. But he’s sort of an ugly, sort of, snaggle-toothed Satanist who didn’t actually get the job of being the lead singer ‘cause he isn’t very handsome. So, 2D got the job, which is always going to piss him off.
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