A Quote by Jack Lowden

Everything always looked better in black and white. Everything always looked as if it were the first time; there's always more people in a black and white photograph. It just makes it seem that there were more people at a gig, more people at a football match, than with colour photography. Everything looks more exciting.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
I don't have anything against colour. It is just not my first preference. I have always found black and white photographs to be quieter and more mysterious than those made in colour.
There is not a history of black intellectuals being allied with dominant forces to hold white people in social and cultural subordination for a few centuries. Second, the "our" of black folk has always been far more inclusive that the "our" of white folk. For instance, there would have hardly been a need for "black" churches if "white" churches had meant their "our" for everybody - and not just white folk. But "our" black churches have always been open to all who would join. The same with white society at every level.
Colour is everything, black and white is more.
I learned to slip back and forth between my black and white worlds. One of those tricks I had learned: People were satisfied so long as you were courteous and smiled and made no sudden moves. They were more than satisfied; they were relieved -- such a pleasant surprise to find a well-mannered young black man who didn't seem angry all the time.
Black and white means photography to me. It's much easier to take a good color photograph, but you can get more drama into a black and white one.
Music in the U.K. is not racialised in the same way as it is in the U.S. In the U.S.. it's more rigid and conservative. And white people in the U.K. have more close proximity with black people and people of colour in general.
Black people's music is in a class by itself and always has been. There's nothing like it. The reason for that is because it was not tampered with by white people. It was not on the media. It was not anywhere except where black people were. And it is one of the art forms in which black people decided what is good in it. Nobody told them. What surfaced and what floated to the top, were the giants and the best.
The beauty of being black in American society is that black has always been an inclusive definition. White has always been an exclusive definition. I think one of the challenges for white people is to figure out how to have a more inclusive picture of who their families are, of who they are.
Brown people and black people and red people swarmed through our great halls, until those who were white looked simply faded-out human beings beside them. Indeed, I came to see that white is not a color in skin any more than in textiles, and if it had not quality, it had no value even for humanity. I saw that color in skin had a certain advantage in strength and warmth as a means of beauty.
In 1990, when we started the Black Community Crusade for Children, we were always talking about all children, but we paid particular attention to children who were not white, who were poor, who were disabled, and who were the most vulnerable.Parents didn't think their children would live to adulthood, and the children didn't think they were going to live to adulthood. That's when we started our first gun-violence campaign. We've lost 17 times more young black people to gun violence since 1968 than we lost in all the lynching in slavery.
I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.
The black masses want not to be shrunk from as though they are plague-ridden. They want not to be walled up in slums, in the ghettos, like animals. They want to live in an open, free society where they can walk with their heads up, like men, and women! Few white people realize that many black people today dislike and avoid spending more time than they must about white people. This 'integration' image, as it is popularly interpreted, has millions of vain, self-exalted white people convinced that black people want to sleep in bed with them - and that's a lie!
For me, as a child, I certainly thought that there were more black people in the world than white people.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
…“white supremacy” is a much more useful term for understanding the complicity of people of color in upholding and maintaining racial hierarchies that do not involve force (i.e slavery, apartheid) than the term “internalized racism”- a term most often used to suggest that black people have absorbed negative feelings and attitudes about blackness. The term “white supremacy” enables us to recognize not only that black people are socialized to embody the values and attitudes of white supremacy, but we can exercise “white supremacist control” over other black people.
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