A Quote by Jack McBrayer
I never would have guessed that I would get a job for the way I sound. I would get notes about how I should lose my accent, and part of me thinks, 'How dare you! This is who I am! Millions of people want to sound like me!' But it's sensitive, and I have tried to change it, with little to no success.
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Part of the success of This American Life, I think, is due to the fact that none of us sound like we should be on the radio. We don't sound professional; we sound like people you would know.
Working with other people, it's hard to get them to make it sound like what you have in mind. Also, it's really expensive to get your tracks produced, so I thought if I could learn how to do it myself, I could make five albums in a month and it would be free, it would be me, and it would be everything that I'm doing.
I think it is important to communicate how serious climate change is - it would be a disservice not to. But I'm not sure that emphasizing how scared we should all be is the best way to get people to care - I know it makes me want to crawl into a dark hole and never come out.
They tell me what to wear, how to look, what I should say, how I should be. Until recently I had given into that pressure, I lost sight of who I was. I listened to opinions of people and I tried to change who I am because I thought others would accept me for it. And I realized I don't know how to be anything but myself.
For so much of my life, I lived feeling as if, if I spoke, if I said something, I would lose everything. I would be pushed out. No one will want me. No one will love me. No one would want to be friends with me. It took me decades to get to a space of saying, 'This is my truth. This is who I am, and I don't care if you like me or you don't like me.'
The hardest part was knowing that I would have to talk about the album when I released it. I think the hardest part was waiting to see how long it would take for me to be able to get through the questions people would ask me.
And we would play together, like fine musicians should, And it would sound like music, and the music would sound good. But in real life I'm stuck with that same old formula, me and my monophonic symphony, six string orchestra.
Everything is on such a clear financial basis in France. It is the simplest country to live in. No one makes things complicated by becoming your friend for any obscure reason. If you want people to like you you have only to spend a little money. I spent a little money and the waiter liked me. He appreciated my valuable qualities. He would be glad to see me, and would want me at his table. It would be a sincere liking because it would have a sound basis. I was back in France.
I know when I started I would have been happy to sound like the Beatles or Joe Tex or whoever. You want to sound like most bands, you want to sound like their records and that's how you learn your chops.
I always say that when I was recording with Phil Spector, he would not let me really sing, you know? And even to make me sound younger, he would speed the track up. He still wanted that real nice, little, quiet, sweet little sound.
Every time I went into the studio some engineer tried to impress me with how they're going to capture my sound with all kinds of tricks. But they limited the sound and never allowed me to play how I felt.
Time cast a spell on you but you won't forget me, I know I could have loved you, but you would not let me. I'll follow you down 'til the sound of my voice will haunt you, you'll never get away from the sound of the woman that loves you
Can I eventually take classes and eliminate my accent? Sure. I guess anybody could. But this is who I am, and this is what I got. And there are millions of people who sound just like me. Millions. It's not like this is some novelty.
There would be nothing to get me to run for president. I don't even understand how anyone would want that job at all. Although I would be able to play golf which I don't seem to have time now.
I based my tuning on Gene Krupa, Buddy and Joe Morello. I knew how I wanted the drums to sound and we did the best we could with a beat up Ludwig kit. I spent a lot of time around drummers learning how to get sound. I knew the sound I was after and what would work for what we were playing.
Something like Pinterest would scare the hell out of me. With $5 billion valuation - regardless how sound those numbers are - wouldn't be one that I would start, given what I would consider the risk of failure.
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