A Quote by Jack Nance

But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does. — © Jack Nance
But Eraserhead was the first real intense kind of thing I had ever done before the cameras and Lynch had to really bring me down a lot and he still does.
My first real experience of acting was 'Peaky Blinders.' That was the most intense experience. In those situations you learn so quickly, and I did. My brother had the script for the second season - they had already done the first - and he said there was a great part for me.
I spent a long time on my first movie, which was the sequel to a short film that I did called 'Carne.' And I had no money. I shot it over a period of three years, a bit like David Lynch directed 'Eraserhead.'
Rock of the ages been a really interesting job. It's been exhausting. It's been the hardest thing I've ever done because it's just so big, and I haven't had a lot of time. And I'm just kind of blowing through this. And everybody's, like, happy, and giving thumbs up. Most of the actors have said "this is the best role they've ever had." So you know, that's important to me.
The band that changed my life was The Who. It's hard to pick just one album, but if I had to pick the one that really showed me how things could be done, it's 'The Who Sell Out.' They really went to town on that, doing something that no one had ever done before.
Basically we learned not ever to do a show like that [ Gigi Does It] again. That took me to a limit that I didn't know I had. First off, I show-ran the show and was the head writer. I had never done anything like that before. It was an immense responsibility.
We rehearsed for a bit for an Indie film, which is kind of unusual, we had a week of rehearsals before we actually shot the films so we were able to really break down the script and kind of work through all of the improvisational things that he wanted to do, so he had a chance to really feel his way through before we actually shot it and I think that helped a lot.
When you go to war as a boy you have a great illusion of immortality. Other people get killed; not you. . . . Then when you are badly wounded the first time you lose that illusion and you know it can happen to you. After being severely wounded two weeks before my nineteenth birthday I had a bad time until I figured out that nothing could happen to me that had not happened to all men before me. Whatever I had to do men had always done. If they had done it then I could do it too and the best thing was not to worry about it.
I had a pregnancy that wasn't private... A lot of people had their opinions about it. They were surprised that I came up pregnant, which was a surprise to me, because I'm a woman, and women get pregnant, and Lauren comes first before the actress, so having my son was the best thing that ever happened to me.
In high school, my first thing ever was I played Tony in West Side Story when I was about 17. I was a really shy kid and I just like forced myself to learn how to sing this one month because I loved West Side Story so much and I somehow managed to get the role. I had an afro and glasses, and the guy who cast me goes, "All right, the first thing to go is the afro and the next thing, I'm going to buy you contacts and we're going to get you..." So he kind of molded me into what it had to - that's still probably the hardest role I've every played in anything, the most taxing role.
I really wanted to work with David Lynch. I was a big fan of The Elephant Man and Eraserhead.
When The Murderdolls started it was a really cool thing, especially for me because I had never done anything on that scale before. Even for our drummer and bass player it was their first really big band.
I think the first experience scared the hell out of me. Within months of my initial marriage [on Angela Bowie], I realized I had done a really naive and rather stupid thing. . . . I don't think either of us had any real resolve about being together. The result was it made me wary of relationships.
When I first went to LA. Honestly, it was different for me. The whole thing, the student-athlete part, you know, where the student came before the athlete. That was totally new to me. I had down online school since fifth grade so I never really had sat in a classroom and taken a note.
I kind of had a quarter-life crisis before I did 'Rent.' I had done Glinda in 'Wicked' for a while. I had worked for Cirque Du Soleil, and then I did 'Hair.' Then I had a real quiet time, not having work, and it was a time of not only self-discovery of me as a person, but also what I wanted as an artist and actor.
You cannot begin to imagine the shock I had when I came down on the floor for the first time. First of all, there's this whole thing about playing sitcom comedy. I didn't want to do the sitcom thing, but I didn't know what else to do. I went slowly. We went through the week of rehearsal, then we got on the floor with the cameras, which I'm used to because of my experience in the old days. Then came camera day, with an audience, and it was stunning, enthralling, exciting and chaotic. I had never experienced anything like that before, as an actor. I was part minstrel, part actor.
When I was a kid, back in the days before cell phone cameras, I had disposable cameras I took a lot of pictures with and I just remember something always went wrong.
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