A Quote by Jack Nicholson

There is one thing I know about creative conflict: once my argument is exhausted, I am not going to be unhappy whether it moves in my direction or away. — © Jack Nicholson
There is one thing I know about creative conflict: once my argument is exhausted, I am not going to be unhappy whether it moves in my direction or away.
I never said I'm unhappy about going to the ACC. I'm unhappy the Big East broke up. That's a completely different thing than saying I'm unhappy about going to the ACC.
It does not in the least concern me whether I shall have at the end of my life thirty people who understand or three hundred. I am like an artist who paints a picture because he must, otherwise he is unhappy - not unhappy, but he must obey that creative impulse.
The energy of devils and angels is the same energy; it's how you use it. It's fuel. There is a saying: If you scare all your devils away, the angels will go away with them. You know, the halo and the horns are the same thing. I mean it's OK to be spiritually horny - that's what creative genius is all about. Geniuses don't have time to think about how it's going to be received... they don't have time to think whether people like it or not, is it morally right, will God like it?
Most argument, and in fact most conflict, has nothing to do with the present. It's always about the past or the future. People can't agree on the details of what has happened or is going to happen. But we rarely know what has happened, and we never know what is going to happen. What is really at dispute is how we will deal with not knowing.
That’s the really annoying thing about love. I probably would be happier if I didn’t know it, but once you do know it, once you feel those things for someone, you can’t make yourself really wish it away. It’s like wishing away . . . your soul. - Jenny
The industry of political conflict is the biggest industry in Bosnia, and it is still not exhausted. What is needed is to replace these two industries - the industry of political conflict, the industry of human rights - with normal, creative walks of life.
Overall, The Population Bomb was probably too optimistic. I was writing about climate change - Anne and I actually wrote the book. We discussed whether or not you'd have to take a gondola to the Empire State Building, and that sort of thing, but we didn't know at the time whether the climate change would be in the direction of heating or cooling. We just didn't know enough about it.
Now I know that if I'm in a fight or a big argument with executives or the studio or whoever, and it's getting to a point where it's starting to get bad, I don't have to have the fear of, "Am I strong enough to see this through? Would I really make a stand here? Would I really quit over this issue?" And I know in my heart that there is a place where I would walk away. I don't have to make it about my ego. I don't have to make it about whether I'm being strong enough or tough enough.
Until I understand where I am, I can’t get to where I am going. This is the value of a compass when we are out walking or hiking and need to know we’re going in the right direction. But we also have an internal North Star. It’s that little nudge that tells us if we are on the right path to fulfilling our potential, or on the wrong path wasting energy traveling somewhere we don’t need to go. So my advice to you is, pull out that compass every once in a while and make sure you are navigating in the right direction on your journey.
Recently, Lady Gaga was motivated to take the helm of the creative direction of her career and as such I decided to step away. I am extremely proud of her, and in stepping away I wish her all the best.
The only thing going on is the progression of words and sentences across page after page and so suddenly we see this immersive kind of very attentive thinking, whether you are paying attention to a story or to an argument, or whatever. And what we know about the brain is the brain adapts to these types of tools.
What is it with me? Am I absolutely nobody, but merely inordinately vain? I do not know…. But I am most fearfully unhappy. That is all. I am so unhappy that I wish I was dead—yet I should be mad to die when I have not yet lived at all.
People say people who spend too many years in prison don't know how to act when they get free. I don't know how I am going to act, how I am going to kill time, once I am not a fighter. Retirement scares me, and I have to think about how I am going to handle it.
So I think there's going to be a constituent backlash against this thing soon, as they see it moving in that direction...Whether they can pass something before the American public wakes up, I don't know.
So let us decide whether you want a shelter, a safety zone, which will no longer yield conflict, whether you want to escape from the present conflict to enter a condition in which there shall be no conflict; or whether you are unaware, unconscious of this conflict in which you exist. If you are unconscious of the conflict, that is, the battle that is taking place between that self and the environment, if you are unconscious of that battle, then why do you seek further remedies? Remain unconscious.
There's conflict in everything, just trying to buy a used car you deal with people that you don't want to deal with, you know, that's just the way of life, nothing stops changing, you're always going to have the conflict till your last breath, I mean on your deathbed, arguing with the doctor who's going to pay the bill, you know, it's just the reality of it, so none of that ever goes away.
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