A Quote by Jack Nicholson

I was invited to join the MGM cartoon department. But if I'd started work in animation I'd have had to take a cut in salary, so I didn't. — © Jack Nicholson
I was invited to join the MGM cartoon department. But if I'd started work in animation I'd have had to take a cut in salary, so I didn't.
In the summer of 1965 I was invited to join Western Reserve University in Cleveland, Ohio and returned to academic life as professor with the added responsibility of becoming also Department Chairman.
I started a MySpace teen lit discussion group and invited people to join.
Look what Disney's done to their animation department. There wasn't an animator in charge of their animation unit!
At MGM there was a script cage in the basement where they’d show rushes. And I thought to myself, “How do I get into the script cage and find out what my future is?” I climbed into the script cage one night and spent the whole night in there. I saw the bowels of MGM. I saw the studio scripts that the producers had seen; the writers had just handed them in. And I started thinking this is a chance to pick my own roles.
One year I hit .291 and had to take a salary cut. If you hit .291 today, you'd own the franchise.
Well, for one thing, the executives in charge at Cartoon Network are cartoon fans. I mean, these are people who grew up loving animation and loving cartoons, and the only difference between them and me is they don't know how to draw.
I make a lot of money. I can take a pay cut. All my friends are taking pay cuts that are in the unions, that are - that are farming in Alabama or whatever it is. I can surely take a pay cut, too, not cutting down my show or - or the people that work for me, I can take a pay cut.
In the beginning I had a real work problem. Every time I had job I had to convince the immigration authorities I was the only man for that job and get a special work permit until I went under contract to MGM.
On 'Mystic River,' I had to cut my salary and everyone else's to get it made.
I had that hunger to work and keep growing. So I started to cut hair. When I started getting better, I got my own barbershop. I had a lot of clients in my hometown, so I wouldn't stop cutting hair. That's why I think I have such discipline in my job because I've always been very responsible.
Join the bold, the brazen, the unintimidated. Join not having excuses. Join the idea that fun is the source of all joy. Join the unwillingness to give up. Join doing things your way. Join not joining. Join that purpose is stronger than outcome. Join your gut. Join the constant challenge of seeking greatness. Join play. Join the hunger to find what makes you happy. Join karma and nature and the effect you have on your world. Join your philosophy. Join something bigger than you. Join what you believe.
I was a big comic, cartoon, animation nerd.
When I first started working at MIT, back in the '80s, our writing department had a joint cocktail party with the Harvard writing department. It was kind of oil-and-water.
During my election campaign I was not giving out empty promises, but invited every member of society to join the efforts to work for a better life in Lithuania.
For me, I'm not in an industry where I'm starving. I'm so lucky to have this job, I'm compensated for my work in an incredible way. But what I do ask is when I join a production I want to make sure that the male actor isn't making four times my salary, which has been true, or seven times my salary. And if that's true you go, you know what, I don't need this job. It's not really asking for more - it's asking for something that is respectable and equal to the male actor and you have to go, why are women being valued less?
I very comprehensively studied Irving Thalberg and his biographies. He's who [Scott] Fitzgerald roughly modeled the character after. He worked for him, as a writer, when he was at MGM. And, of course, I revisited the novel and the politics of MGM and the studio system at the time and familiarized myself with the world. There was a great deal of physical and literary work that went into it.
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