A Quote by Jack Nicholson
As a means of supporting experiential element in film, once I begin to work on a particular movie I consider myself to be the tool of the director.
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I always believe that one can't interfere in another's work. Once I start work on any film, I surrender myself completely and blindly follow the director.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
In the life of a director - these days in particular - when it really does take so long to do a movie, with a few exceptions, actors may never work with a director again, even if they're great friends.
'Ramaiya Vastavaiya' means, 'Ram, will you come?' The movie is a remake of the Telegu film 'Nuvvostanante Nenoddantana,' which was my first film as a director. So, it's close to my heart.
When I did my first film I kind of fell into it. I got cast in this movie called 2:37... the director, Murali K Thalluri, basically saw me and said: "I'm going to put you in this movie." And that week I felt like a void had been filled. I was so in my element. I was thrown in at the deep end.
There is probably no greater idler than myself. And I would consider myself a lazy-bones if I did not write so many volumes, and if I did not admire my diligence once I begin writing.
Independent means one thing to me: It means that regardless of the source of financing, the director's voice is extremely present. It's such a pretentious term, but it's auteurist cinema. Director-driven, personal, auteurist... Whatever word you want. It's where you feel the director, not a machine, at work. It doesn't matter where the money comes from. It matters how much freedom the director has to work with his or her team. That's how I personally define independent movies.
I have to say that whatever decisions I make, I really do think that movie making is a director's medium. They are the people that ultimately shape the film, and a director can take great material and turn it into garbage if they are not capable of making a good movie.
Sometimes when I make a movie, my main goal is to show the movie to one particular director.
What I really plan to do is take the best scripts I get and consider them seriously. I can actually work as an actor and prepare a film as a director.
I consider myself as a director's actor, so I'm open to work with filmmakers from across the country and even abroad.
On a very small scale, I kind of understand why the directors that I work with do certain things. I don't consider myself an incredible director. I'm not ready to do movies by any means. But, I feel like I can be a better actress now that I've been on the other side and kind of understand the process and more of the technical aspects of it.
I consider myself more a European director who is from Iceland than an Icelandic director.
To have a director that loves his actors is something that you can see in the film and in the fruits of that labor. You can see that translated in the film. When you watch this movie, you can see a director who loves his actors, and it shines through the movie, in my eyes.
I got to work with Robert DeNiro once and it was a strange experience. Gwyneth Paltrow and I were doing Great Expectations movie together and we were complaining about what a mediocre film experience it was. DeNiro showed up on set and all of a sudden the director got better, the director of photography got better - everybody got more interested and excited. DeNiro isn't waiting for other people to create the environment that he wants, he brings it along with him.
I don't really consider myself a horror director or a violent director at all.
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