A Quote by Jack Nicholson
It's the post-literate generation that is most disturbing to a movie-maker. The explosions and the knifings. People like to go to what's hot and you can't get past a certain gross unless you involve children who go more than once.
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I'm a pop enigma. I live and breathe every element in life. I rock a bespoke suit and I go to Harold's for fried chicken. It's all these things at once, because, as a taste maker, I find the best of everything. There's certain things that black people are the best at and certain things that white people are the best at. Whatever we as black people are the best at, I'ma go get that. Like, on Christmas I don't want any food that tastes white. And when I go to purchase a house, I don't want my credit to look black.
Why can't we talk about sex just to talk about it? Because it's fun and silly and gross and exciting and disturbing and confusing and totally hot, sometimes all at once.
As movie monsters go, zombies are the most human. They were human at one time. So we are confronted with ourselves in a way, which is much more frightening and disturbing.
Most film productions, when they're based at a place, they get, like, a 30-mile radius or a 30-minute radius to get out of the town. And once you go past that, your day starts to become shorter, and you have to start paying your drivers more, and everybody just gets paid more, and you have less time to shoot, and everything costs more.
Today's children are living a childhood of firsts. They are the first daycare generation; the first truly multicultural generation; the first generation to grow up in the electronic bubble, the environment defined by computers and new forms of television; the first post-sexual revolution generation; the first generation for which nature is more abstraction than reality; the first generation to grow up in new kinds of dispersed, deconcentrated cities, not quite urban, rural, or suburban.
I just like surprising people. I never want to get to a place where people see that I am in a movie and they go see the movie and they expect a certain performance one way or the other. That is just inherently boring to me.
I've never seen a weirder group of people than at the post office. It looks like people are crawling out from under rocks to go to the post office.
Mo-cap work is less technical than you'd expect. Once you have it all set up you're free to do the whole scene in one take rather than doing a lot of different shots and different takes like you do in a movie. You've got that one go at it and you've got a lot of freedom. You can really express yourself - more like doing theatre than doing a movie.
I like this idea of generation after generation helping children on the streets, kids who have run away fleeing violence. I like the whole idea of opening arms for children who have nowhere else to go, sleeping by dumpsters.
Today in America we are no more 'post-racial' than we are 'post-partisan.' We have a long way to go.
Today in America we are no more "post-racial" than we are "post-partisan." We have a long way to go.
Certain people just go home and veg out, certain people go travel the world and certain people are like, "Screw this, I'm going to work the entire time."
Feminism involves so much more than gender equality and it involves so much more than gender. Feminism must involve consciousness of capitalism (I mean the feminism that I relate to, and there are multiple feminisms, right). So it has to involve a consciousness of capitalism and racism and colonialism and post-colonialities, and ability and more genders than we can even imagine and more sexualities than we ever thought we could name.
I don't like, speaking about the movie, if I may say couple more words, I like a movie that doesn't drag too much, unless it's purpose. I like a movie with an action with a certain pace. If it's too monotone, I hate it. No, I don't hate it, I just don't like it, period.
I'm not the type to generalise about an entire generation. I think the most general thing I can say, is that things are way more dispersed, and way more de-centralised than they were twenty years ago. I don't really feel like people talk about my generation the way people would talk about Generation X in their early 90's when Nirvana blew up. I feel like there was an easier, more coherent narrative to find, than you can now.
It's not like most people read anymore. Well, not unless the book has a wizard school or a hot vampire. And, as a Kari Kngsley expert, I'm absolutely certain your life has neither of those things.
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