A Quote by Jack Nicholson

Early on, if I was alone two three nights in a row, I'd start writing poems about suicide. — © Jack Nicholson
Early on, if I was alone two three nights in a row, I'd start writing poems about suicide.
I was teaching myself notes from three and then by seven I'd figured out how to play some chords, and at school I used to love writing poems and poetry, so I guess I kind of put two and two together and that formed my songwriting from an early age.
I've thought about writing, but it hasn't happened yet. It's like schoolwork - you start doing your revisions two nights before you're compelled to turn it in.
I know, every fighter knows, you've got to pile up wins in a row. You can't lose two in a row, three in a row and then you hear mentions of losing your job.
A dry period for me means perhaps going two or three nights without writing. I probably have dry periods but I'm not aware of them and I go on writing, only the writing probably isn't much good.
My days are filled with work I love - reading poems, writing poems, talking with people about poems, teaching, directing a writing program, hosting readings, etc.
When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
I start at the beginning, mentally screaming every obscenity I can in alphabetical order. Then I start setting them to the tune of "Row, Row, Row Your Boat
I'm working on poems about work, I guess. Or related to work. Which sounds dull as drywall but I'm having great fun working the vernacular of work into poems. I'm also writing some poems about family. And I don't know, just writing. Taking breaks. Writing some more.
For someone like me, if I ever had huge success or whatever that is, I would just play smaller venues two to three nights in a row just to keep the intimacy level there and that's my take on it, but it just depends what you're going for.
Writing poems is my way of celebrating with the world that I have not committed suicide the evening before.
In the 84 days after Beijing I had, on average, three things a day and one day off. I didn't sleep in the same bed for more than two nights in a row. It sounds a bit pathetic but it was exhausting - it was like really intensive training with no rest days.
I once met a person three nights in a row and she told me the same story three times over. Unless you're discovering a new continent, there is no way you have anything new to tell people you bump into serially.
Championship caliber teams don't lose two in a row and they damn sure don't lose three in a row.
More and more facts coming out about Osama bin Laden. You know, he never sleeps in the same place two nights in a row, just like Clinton.
I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
The judges who awarded the 1980 Commonwealth Poetry Prize to my first collection of poems, Crossing the Peninsula and Other Poems, cited with approval and with no apparent conscious irony my early poem, "No Alarms." The poem was composed probably sometime in 1974 or 1975, and it complained about the impossibility of writing poetry - of being a poet - under the conditions in which I was living then.
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