A Quote by Jack Nicholson

There is no way you can get people to believe you on screen if they know who you really are through television. — © Jack Nicholson
There is no way you can get people to believe you on screen if they know who you really are through television.
When I started doing television, I had no idea that people were watching it. But then things opened up for television in such a way that it's no more 'small' screen, as it is called.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
I'm on record saying that HBO is the best television company in the world, and I believe they are. I think they absolutely understand how to make television that is really, really vital and interesting and visceral, and all the things that television really should be.
We all have different things that we go through in our everyday life, and it's really important to know just at the end of the day, it doesn't matter what you face, you know, that you're going to win at the end of the day. You got to believe in yourself. You got to believe in God, know that He's going to get you through it.
The letters that say 'I'm getting the messages you're sending me through the television screen' are not great. But those are few and far between, thank God. I get wonderful letters, and people send me artwork.
Regarding green screen, green screen is really like doing some stage work. You have to make believe that there is a window, make believe that something is there that is really not there and convince the audience. It's part of acting.
That's what I love about writing. Once you get the words down on paper, in print, they start to make sense. It's like you don't know what you think until it dribbles from your brain down your arm and into your hand and out through your fingers and shows up on the computer screen, and you read it and realize: That's really true; I believe that.
To feel the suffering and then to know the pain of the unnecessariness of it. That right there has me in its grip. The only way through that is serious prayer. I can't get through it any other way. I've got to believe that that's making a difference somehow. I can't see the difference, but I've got to believe it does, because in some way it lets me sleep at night. My only other alternative is to become angry, and I can't go that direction.
Television is our culture's principal mode of knowing about itself. Therefore -- and this is the critical point -- how television stages the world becomes the model for how the world is properly to be staged. It is not merely that on the television screen entertainment is the metaphor for all discourse. It is that off the screen the same metaphor prevails. (92)
I really learned that, when I got into television, I really learned the power, how deeply it affects people to see themselves on television, to see something that they can relate to, that they feel is like them in some way; people feel validated. Its not a little thing. It really means a lot to people. It actually can change people.
My words hang in the air. I look to the screen, hoping to see them recording some wave of reconciliation going through the crowd. Instead I watch myself get shot on television.
It still surprises me when I get cast in something. I'm not your, you know, I'm... I remember thinking really early on that you have to look a particular way and I'm quite aware of my look, so I always thought I wouldn't get a lot of screen work.
Along the (writing) way accidents happen, detours get taken... But these are not "divine" accidents; I don't believe in those. I believe you have constructive accidents en route through a novel only because you have mapped a clear way. If you have confidence that you have a clear direction to take, you always have confidence to explore other ways; if they prove to be mere digressions, you'll recognize that and make the necessary revisions. The more you know about a book, the freer you can be to fool around. The less you know, the tighter you get.
My job with Sue on 'Bake Off' was to look after the bakers - and to be honest, a lot of that was done off screen as well as on screen. It's very much the same on 'Let It Shine.' You get to know people, you get involved, you want things to be alright.
Television is all about sound. You'll never get a moment of silence unless there's something really extraordinary going on, on screen, visually. They never let a moment of silence pass without being filled in television because it's a very sound-driven medium.
I think Hollywood is an incredible tool to teach people. It brings stories and information to the television screen, to the movie theater screens, that people get to empathize with.
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