A Quote by Jack Nicholson

Because you know, down deep in my heart, when all is said and done, I still live under the illusion that basically people think of me as an up-and-coming young actor. — © Jack Nicholson
Because you know, down deep in my heart, when all is said and done, I still live under the illusion that basically people think of me as an up-and-coming young actor.
I don't think most people know how to meditate - they fall asleep and they call it meditation. I prefer a kind of sweet, deep, rich prayer in which a person goes in and says, Take me down deep into the reason you gave me life. Take me down deep. It silences the chaos in me. Take me away from my sense. I need to go away now, because I'm in chaos - take me down deep. Hover over me, because I need grace. I say that a lot, many times a day. So that's my practice.
I fell in love with you," he said, "because you were one of the bravest people I'd ever known. So how could I ask you to stop being brave just because I loved you?" He ran his hands through his hair, making it stick up in loops and curls that Clary ached to smooth down. "You came for me," he said. "You saved me when almost everyone else had given up, and even the people who hadn't given up didn't know what to do. You think I don't know what you went through?
I still think funny, and people young and old still come and see me. That's flattering. The day comes that they stop coming, then I'll know that it's time to retire to the Jewish ranch.
We will always want films ... that basically are centred on young people, because young people is the way we live on, we older people, insofar as we live on.
'Shaadi... ' made people see me as an actor. A lot of filmmakers called and said I was really good in the film... People from the industry - who never spoke to me, didn't think I was a great actor because they hadn't seen my work - said I can act.
The part of you that is unhampered by illusion-the illusion of time, the illusion of powerlessness, the illusion of impossibility-i s waiting for you to slow down and open up so that it can speak to your consciousness. In some unguarded moment, you will hear its wildly improbable words and know that they are guiding you home.
Someone told me once - I mean I said, "Is it ok that I don't really know what the three-act structure is?" And he said, "It's basically: Act 1: a guy climbs up a tree; Act 2: people come and throw stuff at him; Act 3: he gets down."
If my son was an actor I would tell him, "Don't let people know as much about you as I let people know about me." Because I think professionally, it's an easier road. That would be something I would tell a young actor. But it's cool.
I grew up in an artistic family where everyone was doing something in one field of the arts or another. I was I think 12 years old when I did my first acting at the Actor's Studio and James Dean once said that the only reason to become and actor is because you have to. I think that you know from a young age if that is a certain rush that you're going to need to satisfy you and to make you feel fulfilled - and if you don't then you shouldn't do it. It's just too brutal of a business most of the time.
I think Splash made people realize that I was still alive, and I think I inspired a lot of people. I have people coming up to me all the time in the airport saying, "Hey, you inspired me to learn how to swim!" "You inspired me to start moving around more." "You inspired me to start doing more for myself." So that was good. But mostly I took it because nobody had given me a job. And you know what really matters in life, right?
I think, basically, I am an actor. Sometimes I'm an actor who's writing and sometimes an actor who's directing, but I think if I'm forced to fill out a form for my tax return, 'actor' is the first thing I write down.
When you label someone 'up and coming' or 'the new breakout,' there's this kind of expectation. And I think, like I said before, it's very hard to live up to that expectation when you really don't have that much power as an actor - in terms of your career path and the timing.
I try to choose the songs that really are basically coming from my heart. I think that through the songs that I select, people know what's going on in my life.
I think a lot of people who maybe know me from one video or come upon me randomly think I'm stuck-up because I'm blonde, or the way I come off, or from something I might have said. But everybody who actually knows me knows that I'm very down-to-earth and super chill.
I feel like a lot of the stuff coming out right now just feels really inauthentic to me. But apparently, people don't seem to see through it. And this makes me sound bitter, but it's just my perspective. I'm not bitter. I just feel like there's a lot of stuff that doesn't feel like it's coming from a place of any sort of integrity. It just doesn't feel like it's coming from the heart, basically. It just feels like it's being produced because people know it's a formula that will work, or it's easily digestible and fun to look at.
In general, the musicians we met that made the most sense just said to do what feels right and try not worry about what other people think. I know that sounds stupid and simple. I feel like Neil Young has done that and he's still making albums. He's one of the people I really look up to as someone who has kind of stuck to their guns their whole career. Just making music for music.
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