A Quote by Jack Nicholson

The blues and jazz will live forever... So will the Delta and the Big Easy. — © Jack Nicholson
The blues and jazz will live forever... So will the Delta and the Big Easy.
You'll live forever in our hearts, big man. That particularly galled me, because it implied the immortality of those left behind: You will live forever in my memory, because I will live forever! I AM YOUR GOD NOW, DEAD BOY! I OWN YOU!
By the time I was in my teens, I was listening to Delta blues and jazz.
The delta blues is a low-down, dirty shame blues. It's a sad, big wide sound, something to make you think about people who are dead or the women who left you.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
I remember the first time I was booked into a jazz club. I was scared to death. I'm not a jazz artist. So I got to the club and spotted this big poster saying, 'Richie Havens, folk jazz artist.' Then I'd go to a rock club and I'm billed as a 'folk rock performer' and in the blues clubs I'd be a 'folk blues entertainer.'
Jazz is the big brother of the blues. If a guy's playing blues like we play, he's in high school. When he starts playing jazz it's like going on to college, to a school of higher learning.
I was considered as a jazz man rather than as a blues player. There were no blues players-you played one sort of jazz of another sort of jazz.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
I'm also a blues musician, and all blues artists can trace their pain to the slavery fields of the Mississippi Delta.
Every band wants to be have a song that is that big, that will pretty much live on forever. I don't know too many new bands that will have a 'Free Bird' that will be around 30 years later. It's become a national anthem of sorts.
I'm in Delta Delta Delta, otherwise known as Tri-Delta. I've developed some great friendships, and it's enabled me to have a little bit more of a normal college experience.
The Ertegun Jazz Hall of Fame will provide a center where the lives and the artistry of the greatest jazz musicians will be celebrated, and where people will come to learn about jazz, something to which my brother devoted his lifes work.
The Ertegun Jazz Hall of Fame will provide a center where the lives and the artistry of the greatest jazz musicians will be celebrated, and where people will come to learn about jazz, something to which my brother devoted his life's work.
When I got 'forever' tattooed on my throat, it meant that my legacy was going to live forever. So anything that I create, I do it because I believe it will live on, forever.
The jazz and blues clubs are like the jazz and blues musicians - they're disappearing.
No pain will last forever. It is not easy, but life was never meant to be either easy or fair. Repentance and the lasting hope that forgiveness brings will always be worth the effort.
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