A Quote by Jack O'Connell
It's an old story, really: seduced and corrupted, in the end, by an obsessive love for the text.
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The inspiration is all in the script, in the text. So whatever it is, either it is a film or a book to be illustrated, anything. Everything you need to know is in the text. So the thing is trying to find right tone and voice, the right style, the right way of expressing the emotions in a story or in the location of the story, but it is all in the text.
There are three big things going for The Scorpio Races: first, it is set on a beautiful but wild island in the middle of the cold Atlantic Ocean. That would've seduced me as a teen reader. Second, It is full of beautiful but killer horses being trained for a dangerous race. Actually, that would've seduced me as a teen reader as well. At third it involves a very repressed love story with a very Mr. Darcy-like love interest.
I'm a reader and a storyteller, and God chose literature and story and poetry as the languages of my spiritual text. To me, the Bible is a manifesto, a guide, a love letter, a story.
I love obsessive fandom because I'm an obsessive fan who flips out over music.
The love of solitude, when cultivated in the morn of life, elevates the mind to a noble independence, but to acquire the advantages which solitude is capable of affording, the mind must not be impelled to it by melancholy and discontent, but by a real distaste to the idle pleasures of the world, a rational contempt for the deceitful joys of life, and just apprehensions of being corrupted and seduced by its insinuating and destructive gayeties.
Here's what I really love: I love a funny story that I can tag a serious line on the end of.
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
I always overwrite - really awful, long bits of script - and then I trim it down to the bare bones and then add a little bit to colour it in. At the end of all of my stories, I test for wordless comprehension. So I remove the text and see if it works by itself. And if it does, I feel that that's a successful story.
In the end, the railroads made America and nanotech will make the 21st century, and that is the end of the story. The beginning of the story and the end of the story.
[I have a] way of making narrative sculpture, where first you make a text and out of that text you make objects. [...] I start with a story and then I make sculpture from that story, it's just that the stories become more and more elaborate.
On one level, nothing's really changed in my life. I still drive my daughter in the car pool on Monday. But it's impossible not to be aware of this rush of attention; it's impossible not to be seduced by it once you've entered into it, seduced by being unhappy when the attention wanes.
I love a lot of things, and I'm pretty much obsessive about most things I do, whether it be gardening, or architecture, or music. I'd be an obsessive hairdresser.
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
Never worry about being obsessive. I like obsessive people. Obsessive people make great art
Originally, when I wrote the song 'The Sensual World' I had used text from the end of 'Ulysses.' When I asked for permission to use the text, I was refused, which was disappointing.
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