A Quote by Jack O'Connell
I'd be lying if I said I never think about my female fans in certain shots and certain scenes. Like, when I'm topless, I might think: 'This one is for the ladies.'
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People equate success with youth. And if you haven't had a certain amount of success by a certain time in your life, it's never going to happen. There's a fear about that. So people start lying about their age really young. I've never done that because I think it's so insignificant.
What people think improvisation is and non-improvisation is, it's nothing to do with what you like or dislike. It's all about how it happens with certain directors and certain scenes. That's the way it works. It's not something, in general, that you can decide.
I really like directors who give you a certain amount of autonomy because I think a lot about my characters and I think a lot about scenes and choices.
A lot of times you do interviews and people twist your words. TMZ said something like I hate my male fans. I never said that, I said I wish I had more female fans, never said I hate male fans.
I typically try not to think too hard about what I'm going to do in a certain scene with a certain actor in a certain moment because I think that kind of lends its way to not being as improvisational and sort of carefree as one would hope.
I can see,’ Miss Emily said, ‘that it might look as though you were simply pawns in a game. It can certainly be looked at like that. But think of it. You were lucky pawns. There was a certain climate and now it’s gone. You have to accept that sometimes that’s how things happen in the world. People’s opinions, their feelings, they go one way, then the other. It just so happens you grew up at a certain point in this process.’ ‘It might be just some trend that came and went,’ I said. ‘But for us, it’s our life.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
For me, certain shots or scenes are keys in the movie.
If it's a modern-day story dealing with certain ethnic groups, I think I could open up certain scenes for improvisation, while staying within the structure of the script.
I think Westlife is very unique: we have a certain sound; we do our thing our way, and we don't try to change too much. I think that's what the fans love about us. We keep giving the fans what they want every year. The style of music never really changes too much.
There are certain scenes in the edit you're playing with it and certain scenes don't put back together the way you imagined. Sometimes they're better and sometimes they don't have that thing, so it's never foolproof. But you certainly get an idea that here we've got enough and we've got to move on because you're always against time and money there. Whatever the budget is, you have to get practical about it.
There's a misconception about girls accusing people of sexual assault. There's this sense of, Well, she might be lying, she might be telling the truth, it's really a he-said, she-said. But it turns out if you study the cases, something like 97 percent of the cases are actually true. And you think about it common sense - wise: Why would a young girl or a woman bring this attention upon herself? It's nonsensical. It sets up a binary equation where, in fact, if a girl makes that accusation, she's usually not lying about it.
I don't regret being topless in certain things, but there were some things in 'EastEnders' where there was no reason for me to be topless.
You don't want to seem like a whiner, complainer. You don't want to seem like you don't appreciate certain people, certain fans, certain coaches, criticisms. You want to be professional about it. But everybody's got their opinions, from the top to the bottom, and it's their opinion, you respect it. But nobody does our job better than we do.
And this was the main precondition, that anything might be something else. Once I'd accepted that, it followed that I might be mad, or that someone might think me mad. How could I say for certain that I wasn't, if I couldn't say for certain that a curtain wasn't a mountain range?
I think, in accepting the amount of money that athletes make, I think that fans accept that now. It's the nature of the beast; that's the way it is, so they understand it. All, I think, fans have changed - because the price of tickets has gone up so much - that they feel a certain sense of entitlement when they go to a game.
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